A large part of what we do as colorists is perform shot-to-shot matching; ensuring the continuity from one to the shot so that there's no visual break in the story. In this color grading tutorial I share with you some shot-to-shot matching techniques to make this process a breeze.

Luster Grade Presets for FCP X
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- Denver Riddle, Colorist
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j vimeo.com/26355530

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