Canal Zero project lives in a place where image and sound cross together into a mutual dialogue and development, initiating the construction of an uncertain narrative, influenced by musical language and real-time image. Carries us to an hybrid voyage where sound has visibility and images have noise.

Electronic and acoustic music melt together through the use of tools such as sound capture, samplers and analogical modelling, rendering an organic composition where image is used as a visual and sonorous instrument on a lightning table, several materials (machinery, scrap, inks, and others) are exhibited and dissected under a glass, as if they were part of a rarity museum collection. They are also visualized in metamorphosis on a double projection. The voice from the mechanisms seems to emerge of timeless places to then dissolve in the air, where the enchanted and the real find the elective affinities.

In laboratory environment, the rhythm of the composition is imposed by a sound that can be either electrifying or simple and devoid. The three performers are accomplices in a relationship of continuity and discontinuity, in order to make room for the image to become a sculpture element of sound and the sound an image composition.