An around-the-world time lapse journey celebrating our Sacred Earth. Six years in the making... seven continents... 24 countries.
Full details and locations shot-by-shot:
Versión en español
My life as a filmmaker has blessed me with the privilege of seeing some of the most surreal and timeless places on the planet. These images of our Sacred Earth set to music are my way of sharing some of the magic I've experienced along the way...
"Terra Sacra" ~ Latin for Sacred Earth.
Terra Sacra Time Lapses is a short film featuring remote landscapes and ancient monuments from around the globe. These images were photographed during my assignments and personal travels between 2006-2012.
I've combined my favourite shots from these trips into non-narrative film that touches on a theme close to my heart: Sacred Earth.
The visuals are driven by an original score by composer Roy Milner (roymilner.com). The six-minute film is a journey through three distinct Acts: (I) Primordial Earth (II) Past meets Present and (III) Eternal Universe.
This film is a personal project to share the beauty and awe I witnessed at these locations. I hope viewers will be moved by the intangible power of our Terra Sacra.
Endless thanks to Art Wolfe for hiring me to as the cinematographer for the public television series Art Wolfe's Travels to the Edge and taking me to the ends of the Earth where most of the shots from Terra Sacra were made. Art, you are an inspiration and the most driven photographer I have ever known! I learned so much working on this show with our amazing crew and have stories to tell for a lifetime!
Never-ending thanks to friends and colleagues Ian Herring and Maija Leivo of Parallax Film Productions for permission to us shots I took for the television series Ancient Megastructures (National Geographic Channel / History Television) and Battle Castle (Discovery/History Television/ BBC). These assignments provided unprecedented access to some of the world's most iconic ancient landmarks
Infinite thanks to my amazing wife Deddeda for her love and constant encouragement to pursue this project.
Most of the time lapses were shot with a Canon 5D at the maximum resolution using a TC-80N3 intervalometer. A few shots were taken with a Canon 7D and Canon 5D mk II.
All images are single manual exposures, no HDR composites.
Original full resolution images were colour corrected and processed in 16-bit in Adobe Bridge using Camera Raw and exported as JPEG sequences at maximum quality. The rendered JPEG sets were then opened in Quicktime Pro as image sequences and exported at their native full resolution (up to 5K) as Quicktime movies at 23.98 fps with the Apple ProRes 422 (HQ) codec. The ProRes 422 (HQ) files were then edited in Final Cut Pro 7.0.3 on a ProRes 422 (HQ) timeline at 23.98. The master file is ProRes 422 (HQ) 1920 x 1080.
Selected time lapse sequences were also processed using Adobe Bridge and LRTimelapse to smoothen aperture flicker apparent in some shots with large depth-of-field.
If you are interested in licensing any of the shots from the film, please contact me so I can direct you to the appropriate agency.
I would love to revisit many of the locations in this film and other powerful sacred sites around the world to create a feature-length "Terra Sacra". The film would combine real-time, slow-motion, and motion control time lapse imagery - all in stereoscopic 3D. If you are an angel investor, potential sponsor, broadcaster, distributor or someone deeply passionate who would would like to get involved, please don't hesitate to contact me.
- Sean F. White
This time-lapse production has been a wild and exhilarating ride, with a lot of physical work lugging my 120-130 pounds of gear around all of Manhattan. I bent (broke) some laws and made a ton of friends. Thank you all for your support and please feel free to help out a starving artist and share this video with the world.
Music Provided by: BLACKMILL
Licensing and purchase of "The Manhattan Project " are available
Between January 23. and 29. I was again in Norway for shooting northern lights. This time I was very lucky, there was a lot of activity on the sky especially on the 24 January. The scenes are from Ravnastua, Skoganvarre and Lakselv. The first two days I had a lot of trouble with frozen Cameras. It was -25°C (-13°F) and after 1-2 hours of shooting the lens was frozen.
I used a Canon 5D MarkII with ML, a 7D and a 550D with ML. All the scenes were shoot with this 3 lenses: Canon EF 24mm f/1.4 L on 5D, Tokina 11-16mm f/2.8 on 7D and my Samyang 8mm/f3.5 on 550D.
The sound I found on the vimeo music store:
Elemental by Pulse Faction
Path of Stars by Jonathan Geer
Best Viewed in Fullscreen and HD.
This is a collection of timelapse pieces that I shot between late June and early August, 2011, in Eastern Wyoming, and Western Nebraska.
All sequences were shot on the 5D Mark II, in RAW format. The lens used, in all but two shots, was a 24mm f/1.4L II, which I rented from Borrowlenses.com. The other two were shot on my 16-35mm f/2.8L II.
Motion control for the timelapse shots were provided by the excellent Dynamic Perception Stage-Zero Dolly. Since purchasing the dolly, I have been using motion control on almost every timelapse that I shoot.
I have to say, shooting this piece was one of the best experiences that I have had in my life. Travelling 1000 miles from home to spend the summer trying to capture all of the beauty around me was amazing. I finally had the chance to truly see what the night sky was supposed to look like, and it left me breathless. During many moments in the video, you can see plenty of shooting stars, along with a few satellites, and a plane here and there.
Music is "Death is the Road to Awe" by Clint Mansell, from the soundtrack to "The Fountain". Available here itunes.apple.com/us/album/the-fountain-music-from-motion/id204669166
You can follow me a few places, too.
This video is a compilation of two nights of shooting, taken on December 5th and 6th, 2010 in Brownwood, Texas. The distant glow you see along the horizon was caused by pollution from nearby city lights. Clouds on the horizon, coupled with contaminated airspace, added layers of movement and brought interesting qualities to the piece when viewed next to the Milky Way. I took 1,100 separate images, during 10.5 hours of exposure, and created the 80 second video above.
Hope you enjoy and thank you for watching!
Music by: Sigur Ros
Song: Ba Ba
To see more of my 'Night Sky' images, please go to: portfolio.goldpaintphotography.com/nightsky
Stop-Motion, Slow-Motion, Time-Lapse
Few things are cooler to watch than a well-conceived and well-executed stop-motion movie, or an amazing slow-motion or time lapse video. These are some of my favorites. -Dan