1. Colorist Chris Hall demonstrates a "Bleach Bypass" effect on a period Western film. Special thanks to DP Andrew Russo (awrusso.com/) for the great photography!

    Colorist Chris Hall demonstrates a "Bleach Bypass" effect on a period Western film. Special thanks to DP Andrew Russo (awrusso.com/) for the great photography!

    # vimeo.com/47062127 Uploaded 2,440 Plays / / 5 Comments Watch in Couch Mode

  2. Colorist Chris Hall takes a mismatched "pickup" shot and uses some "digital relighting" to "repaint" an actors face to match the original lighting of the scene. *Note - this is a very dark scene, so be sure your viewing monitor isn't "crunching" your blacks so that you can best see some of the fine detail in the shadows of this grade (ie dark hair, etc).

    Colorist Chris Hall takes a mismatched "pickup" shot and uses some "digital relighting" to "repaint" an actors face to match the original lighting of the scene. *Note - this is a very dark scene, so be sure your viewing monitor isn't "crunching" your blacks so that you can best see some of the fine detail in the shadows of this grade (ie dark hair, etc).

    # vimeo.com/27359391 Uploaded 1,352 Plays / / 4 Comments Watch in Couch Mode

  3. Colorist Chris Hall shows how a "Post Production Grad Filter" can be added in color correction for a dramatic sky effect.

    Colorist Chris Hall shows how a "Post Production Grad Filter" can be added in color correction for a dramatic sky effect.

    # vimeo.com/24587953 Uploaded 817 Plays / / 0 Comments Watch in Couch Mode

  4. Colorist Chris Hall transforms a an overcast mid-afternoon driving shot into a moody night scene with this "Day For Night" color correction.

    Colorist Chris Hall transforms a an overcast mid-afternoon driving shot into a moody night scene with this "Day For Night" color correction.

    # vimeo.com/20268421 Uploaded 1,090 Plays / / 1 Comment Watch in Couch Mode

  5. Colorist Chris Hall takes a look at an interview shot in a "mixed" lighting scenario, and gives the final image a natural "single source" feel using a bit of "digital relighting".

    Colorist Chris Hall takes a look at an interview shot in a "mixed" lighting scenario, and gives the final image a natural "single source" feel using a bit of "digital relighting".

    # vimeo.com/20267208 Uploaded 904 Plays / / 1 Comment Watch in Couch Mode

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Anatomy of a Grade

Chris Hall Plus

Basher Films Colorist Chris Hall breaks down some basic color corrections from past projects to illuminate the different stages of "the color grade" and demonstrate the creative and aesthetic possibilities in the color correction process for film and video.

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Shout Box

  • Christopher Tevebaugh

    Hi! Love your channel please check out my film noir vimeo.com/41495155

    by Christopher Tevebaugh

  • Kenparck
  • Paul Dore

    Great tutorials. Appropriately short and to the point. I don't have Resolve but the techniques here can be applied to other colour grading applications or even using Colorista II in After Effects. I look forward to seeing more.

    by Paul Dore

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