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Colorist Chris Hall takes a mismatched "pickup" shot and uses some "digital relighting" to "repaint" an actors face to match the original lighting of the scene. *Note - this is a very dark scene, so be sure your viewing monitor isn't "crunching" your blacks so that you can best see some of the fine detail in the shadows of this grade (ie dark hair, etc).
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Colorist Chris Hall shows how a "Post Production Grad Filter" can be added in color correction for a dramatic sky effect.
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Colorist Chris Hall transforms a an overcast mid-afternoon driving shot into a moody night scene with this "Day For Night" color correction.
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Colorist Chris Hall takes a look at an interview shot in a "mixed" lighting scenario, and gives the final image a natural "single source" feel using a bit of "digital relighting".
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Colorist Chris Hall creates the look of the 2002 Horror Film "The Ring" for a Halloween Commercial for DisneyLiving.com.
Anatomy of a Grade
Basher Films Colorist Chris Hall breaks down some basic color corrections from past projects to illuminate the different stages of "the color grade" and demonstrate the creative and aesthetic possibilities in the color correction process for film and video.
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Shout Box
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Great tutorials. Appropriately short and to the point. I don't have Resolve but the techniques here can be applied to other colour grading applications or even using Colorista II in After Effects. I look forward to seeing more.
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