your unerasable text
“your unerasable text” is an interactive installation, dealing with the topics of data storage and elimination of data. The installation can be placed in an exhibition, but ideally it's exhibited in a public space window, where it can be used by people passing by 24h a day.
The participant is asked to send a textmessage to the number written on a sign next to the installation.
“send your unerasable textmessage to +43 664 1788374”
The receiver mobile transfers it to a computer, which is layouting the message automatically. Then it is printed on to a DIN A6 paper, which is falling directly on to a papershredder. There the message remains readable for a few moments and gets destroyed then. The shredded paper forms a visible heap on the floor, which reminds of a generative graphic.
“your unerasable text” work via SMS because it’s the easiest and most comfortable way for the participant - and almost everybody owns a mobile phone. Another advantage is that you don’t have to be close to the installation, messages can be sent from all over the world. You don’t need any additional software or access to the internet to participate.
By using “your unerasable text” the send text message isn’t erased. The data is saved by the mobile carrier, the mobile that is integrated in the installation and the computer processing the text and sending it to the printer. The only thing that gets erased is the print, which is just a visualization of the text and has no effect on the data itself.
“your unerasable text” is easy to use, a sign showing an invitation with few words and the mobile number and the participant knows what to do and can interact.
To see if the service is online at the moment:
Idea, Concept and Realisation - Stefan Tiefengraber
Thanks to: Dawid Liftinger
Video - Stefan Tiefengraber
Music - Revolution Voit
studioroosegaarde.net - Lotus Dome by Daan Roosegaarde and his studio is a living dome made out of hundreds of ultra-light aluminium flowers that fold open in response to human behavior. When approached, the big silver dome lights up and opens its flowers. Its behavior moves from soft breathing to a more dynamic mood when more people interact. The light slowly follows people, creating an interactive play of light and shadow.
The graphic representations of the lotus flower on the walls, and the deep bass sound, transforms the Renaissance environment into a 'Techno-Church'.
LINE SEGMENTS SPACE
Kimchi and Chips, 2013
Projection, Nylon string, Code
An architectural web of threads subtends a null space. It hangs abstract and undefined, a set of thin positive elements segmenting the dark negative space between. Dynamic imaginary forms are articulated into the physical volume by the material of this thread, and the semi-material of the light. The visual gravity of the filaments occupying the space between.
A 2D canvas is reduced from a surface piece into a line segment, but then constructed into another dimension, a volume. Light creates contrast and order on the lines to articulate digital matter. Digital forms inhabit the interconnected boundaries of space, becoming incarnate as visual mass.
The artists reference Picasso’s light painting, and Reticuláreas of Gego who’s work offers a contemplation of the material and immaterial, time and space, origin and encounter and art and technology.
Line Segments Space was presented at Seoul Art Space Gumcheon in 2013 as part of Da Vinci Idea exhibition of new works.
Line Of Sight (a ‘live install’ edition of Line Segments Space) will be presented at Resonate 2014 in collaboration with artist Andreas Müller and composer Jan Nemeček.
Junghoon Pi (junghoonpi.com)
More info: csismn.com/SYN-Phon
Graphical notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet
Ölveti Mátyás: Cello
Candas Sisman: Electronics and Objects
Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th.
Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication.
Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically.
Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast.
Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel.
Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression
rightfully to the impulses in line of creating a new language.
SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself.
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.
Processing est un langage de programmation simple pour la création multimédia : création visuelle, modélisation 3D, design d’interaction, art génératif, développement web/android, etc.
Le 30 et 31 janvier 2014, Stereolux organise sa deuxième édition des Journées du Code Créatif : venez découvrir et expérimenter les possibilités créatives de Processing avec des workshops, des conférences, une exposition, une performance..
Film par lesfilmsduhiboo.com
arts numériques - oeuvres