1. It's not easy to come up with something new when you visit the same place every year for more than a decade. Over the years Marsel has created the most extensive and most popular night photography portfolio of Namibia on this planet, and two years ago he decided it was time to take it to the next level.

    The idea was to create a night photography timelapse video featuring his most popular subjects in this amazing country: the fairytale-like quivertrees and the eery, dead camelthorn trees in Deadvlei - something that had never been done before. But instead of going for static scenes, Marsel decided to add movement to the scenes by using a dolly system.

    All scenes were shot during the night with Nikon D3, D3s and D4 cameras. We used small headlights for selectively lighting trees and rocks, and we sometimes used the moon. The brighter the scene, the more moon there was at the time. For the arch scene we timed our shoot exactly with moonset, which involved quite a bit of calculating and planning. But the hardest one of all was probably the mist scene in Deadvlei. Mist in Deadvlei only occurs around five times a year, so we had to keep a close eye on the weather predictions and many attempts were unsuccessful. When we finally got it right, the results far exceeded our expectations and show Deadvlei as no one has ever seen it before.

    Each second of video consists of 30 photographs. In total, Marsel shot more than 16,000 images over a period of two years for this project.

    The video won First Prize in the 2012 Travel Photographer Of The Year Awards.

    Marsel & Daniella

    Credits:
    Director: Marsel van Oosten
    Editor: Daniella Sibbing
    Composer: Simon Wilkinson
    Produced by: Squiver

    Equipment used:
    Cameras: Nikon D3, D3s and D4
    Lenses: Nikon 14-24/2.8 and 24-70/2.8
    Tripods: Gitzo
    Dolly: Stage Zero, Dynamic Perception

    Follow us on Twitter: twitter.com/Squiver
    Follow us on Facebook: facebook.com/marselvanoostenphotography

    # vimeo.com/57130400 Uploaded 725K Plays / / 143 Comments Watch in Couch Mode

  2. # vimeo.com/33680684 Uploaded 2,162 Plays / / 8 Comments Watch in Couch Mode

  3. A Semiconductor work by Ruth Jarman and Joe Gerhardt.

    Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency. Special Thanks to Andy Kale.

    Made for the exhibition Invisible Fields at Arts Santa Monica in Barcelona Spain.
    lighthouse.org.uk/programme/invisible-fields

    20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.

    05.00 minutes. / HD / 2011
    HD single channel and HD 3D single channel.
    20Hz is co-commissioned by Arts Santa Monica + Lighthouse . Supported by the British Council.

    semiconductorfilms.com/root/20Hz/20Hz.htm

    # vimeo.com/30668685 Uploaded 425K Plays / / 101 Comments Watch in Couch Mode

  4. Purchase "TimeScapes" the movie here: timescapes.org/products/default.aspx
    Purchase the film on iTunes: itunes.apple.com/movie/timescapes/id523328712

    This is production footage from my forthcoming debut film, "TimeScapes," a portrait of the American Southwest. This video was filmed and edited at 4K (4096x2304) resolution, four times greater than regular 1080p HD. A 4K DCP file is available upon request. Shot on Red Epic and Canon RAW still cameras.

    Follow Tom Lowe on Instagram: instagram.com/dreamcoretom & film at FB: facebook.com/TimeScapes

    If you have a 30" monitor and fast computer you can download a 2560x1440 copy of this video here: red.cachefly.net/TimeScapes4K2560p.mp4 4K version only if you have a 4K monitor or projector: coming soon. Here is a 4K version on youtube: youtu.be/e-GYrbecb88

    Thank you to Terrence Malick and Godfrey Reggio for their support and inspiration. Also thanks to Eric Kessler, Curt Morgan, Jim Jannard, Vincent Laforet, Bruce Allen, Phil Plait, Dave Finley, and to Helio Collective for the beautiful title logo. My most sincere and humble respect to Mark Magidson and Ron Fricke.

    Thank you to my sponsors Kessler Crane, Adobe, camBLOCK, Vinten, Canon USA, TVLogic, Borrow Lenses, Wooden Camera, and KATA.

    Music by Nigel "John" Stanford: johnstanfordmusic.com

    # vimeo.com/33110953 Uploaded 1.6M Plays / / 576 Comments Watch in Couch Mode

  5. The Known Universe takes viewers from the Himalayas through our atmosphere and the inky black of space to the afterglow of the Big Bang. Every star, planet, and quasar seen in the film is possible because of the world's most complete four-dimensional map of the universe, the Digital Universe Atlas that is maintained and updated by astrophysicists at the American Museum of Natural History. The new film, created by the Museum, is part of an exhibition, Visions of the Cosmos: From the Milky Ocean to an Evolving Universe, at the Rubin Museum of Art in Manhattan through May 2010. Data: Digital Universe, American Museum of Natural History haydenplanetarium.org/universe/ Visualization Software: Uniview by SCISS Director: Carter Emmart Curator: Ben R. Oppenheimer Producer: Michael Hoffman Executive Producer: Ro Kinzler Co-Executive Producer: Martin Brauen Manager, Digital Universe Atlas: Brian Abbott Music: Suke Cerulo

    # vimeo.com/19568852 Uploaded 163K Plays / / 18 Comments Watch in Couch Mode

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