1. Tekst je napisan kolovoza 1981., u lošim danima, daleko
    od voljenog bića kome je bio namijenjen. Kao način
    zazivanja i razrada budućeg prijedloga. Jer to pisanje
    nije posljedica jedinstvene projekcije, ono uzima u
    obzir zajedničku osnovu fantazija, katalog figura, kao
    introspekcija, posvajanje želje drugog.
    H.G.
    Psi (“Les chiens”) je kratak tekst Hervéa Guiberta nastao
    vrlo rano u njegovoj spisateljskoj karijeri (objavljen je
    1982.), otvoreno seksualnog sadržaja, o kojem je autor
    govorio kao o svojoj “pornografskoj knjižici”. U njemu se
    izravnim riječima izražava ujedno senzualnost i nasilje,
    žudnja i okrutnost, priželjkivanje ljubavi i seksualna
    energija. Opsesija tijelima osnovna je tema teksta: autor
    koristi svaku tjelesnu kretnju, situaciju i fantaziju za
    razotkrivanje sebe. No u pripovijednom ključu ovdje nije
    samo on, nego tekstom kolaju i iskustva bliskih i voljenih
    bića koja je prisvojio. Pored “ja” koje pripovijeda, ovu
    pluralnost tekstualne potke prepoznajemo kao lica u
    “ti”, “ona”, “gospodar”, “psi”. Namjena je pripovjedanja
    da od frustrirane žudnje stvori neku vrstu ceremonijala
    koji će omogućiti ostvarenje punoće erotskog doživljaja.
    Animalnost žudnje, iskazana u udvojenom sado-mazo
    odnosu, na kraju je sublimirana u vitalnosti zajedničkog
    hetero-homo seksualnog čina.
    Predstava se gradi na vrlo jednostavnoj formi: iz čiste
    prisutnosti glumca Stipe Kostanića na pozornici. Preko
    nametljivog, privlačnog i neuhvatljivog postojanja
    tijela koje se kreće kroz fantomatski svijet seksualno
    konotiranih trenutaka, u neodređenom vremenu, u
    atmosferi između prizora žudnje i ushićenja. Razvija se
    kao tjelesni performans o introspekciji duše.
    Bojan Đorđev, rođen 1977. u Beogradu, kazališni je
    autor koji je aktivan jednako u institucionalnom kao i
    nezavisnom kazalištu. Suosnivač je i član uredničkog
    odbora kolektiva TkH (Teorija koja hoda). Njegov interes
    za kazalište i performans uključuje kolektivno autorstvo,
    rad s eksperimentalnim dramskim pismom i postdramsko
    kazalište.
    Uz njega ovu predstavu potpisuje glumac Stipe Kostanić.
    Glumačku karijeru započeo je istovremenim ulogama
    u kazalištu, na televiziji i na radiju, te do sada glumio u
    kazalištima u Hrvatskoj, Sloveniji i Srbiji, te nastupao na
    više domaćih, europskih i svjetskih festivala, među kojima
    i na Queer Zagreb festivalu 2011. godine s Josephom.

    ---------

    This text was written in August 1981, in the bad days, far
    from the beloved beings for whom it was intended. As a
    way of invoking and elaborating on future propositions.
    Because this writing is not the consequence of a unique
    projection, it takes into account the common basis of
    fantasy, the catalogue of figures, like an introspection, an
    adoption of the desires of others.
    H.G.
    Dogs (Les Chiens) is a short text by Hervé Guibert that
    was created very early in his writing career, containing
    open sexual content, and referred to by the author as
    his ‘pornographic book’. In a direct language the text
    alternates both sensuality and violence, desire and
    cruelty, the anticipation of love and sexual energy. An
    obsession with bodies is the basic theme of the text:
    the author uses every body movement, every situation
    and fantasy to reveal himself. But he is not the only one
    in the key narrative here; moving through the text are
    also the experiences of close and loved beings that he
    has appropriated. In addition to the “I” of the narrator,
    we recognise this plurality of textual weaving as the
    face of “you,” “her,” “master,” “dogs”. The intention of
    the narration is to create from frustrated desire some
    kind of ceremony that will enable the creation of an
    abundance of erotic experience. The animality of desire,
    expressed through the dual nature of a sado-masochistic
    relationship, is eventually sublimated to the vitality of the
    shared hetero-homo sexual act.
    The performance is constructed in a very simple form:
    the simple presence of the actor, Stipe Kostanić, on
    the stage. Through the intrusive, attractive and elusive
    existence of the body moving through a phantom world
    of moments of sexual connotation, indefinitely, in the
    atmosphere between scenes of desire and delight.
    It develops as a physical performance about the
    introspection of the soul.
    Bojan Đorđev, born in 1977 in Belgrade, is a theatre
    auteur who is equally active in institutional and
    independent theatre. He is a co-founder and member
    of the editorial board of the TkH (Walking Theory)
    collective. His interest in theatre and performance
    includes collective authorship, working with
    experimental playwriting and post-drama theatre.
    For this performance he collaborated with the actor
    Stipe Kostanić, who began his acting career with roles
    in theatre, on television and on the radio, and has
    so far performed in theatres in Croatia, Slovenia and
    Serbia, and appeared at several national, European
    and international festivals, including the Queer Zagreb
    Festival in 2011, with Joseph.

    # vimeo.com/42768963 Uploaded 2,021 Plays / / 0 Comments Watch in Couch Mode

  2. A short edit of the Myth of Persephone performed at The George in London. A site specific promenade theatre spectacular encompassing music, theatre, dance, song and storytelling forged together from cross collaborative improvisation. The piece weaves together mythic and ritualistic elements with the classic journey from paradise down into the underworld and the exultant return. Powerful, expressive and evocative, this is contemporary storytelling in the long and illustrious tradition of creative artists coming together to inspire, entertain and elucidate our world through the stories that we love.

    # vimeo.com/26506679 Uploaded 1,578 Plays / / 0 Comments Watch in Couch Mode

  3. Author: Via Negativa
    Perforations Festival 2011

    One of the best Slovenian actors who is still of a somewhat younger generation, one of those who can be counted on in the roles of the angry young men of modern repertoire, but also for post-dramatic jumps into the contemporary, Marko Mandić suffers from the typical actors’ curse. From the many roles he has played, he is left with fragments, and his inner mirror is as broken as he is, himself. Via Negativa is his salvation, in which everything can be as he wishes, which is firstly to disassemble and reassemble himself. After making himself the focus of earlier performances, he now rations his own presence as much as possible, and as Mandićmachine he returns to his starting point – to all of his previous roles. He repeats 37 of them, not chronologically, so that he can, in that way, show again who Marko Mandić really is.

    # vimeo.com/35946630 Uploaded 11.9K Plays / / 1 Comment Watch in Couch Mode

  4. # vimeo.com/9108706 Uploaded 25.6K Plays / / 0 Comments Watch in Couch Mode

  5. Lokaverkefni 1.önn.
    Samvinna milli allra deilda.

    Æskuvinirnir Breki og Fribbi eru miklir Boston aðdáendur. Þegar Fribbi nær ekki að kaupa miða í tæka tíð á Boston tónleika í Hörpunni slettist aðeins upp á vinskap þeirra. Fribbi fær þó gullið tækifæri til þess að bæta upp fyrir það með því að vinna VIP miða á tónleikana í útvarpsleik.

    # vimeo.com/39196672 Uploaded 10.5K Plays / / 1 Comment Watch in Couch Mode

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