1. # vimeo.com/26444560 Uploaded 7,874 Plays / / 1 Comment Watch in Couch Mode

  2. performance by Thatiana Oliveira, August 2011

    Thank you to models: Cathy, Michael, Mateo and Alex

    # vimeo.com/29504239 Uploaded 22.4K Plays / / 1 Comment Watch in Couch Mode

  3. Filmed and edited by Zbigniew Kotkiewicz zkotkiewicz.com/
    Sound by Tim Middleton

    INVISIBLE
    By Tena Štivičić

    Directed by Douglas Rintoul
    Choreographed by Darren Johnston
    Designed by Hayley Grindle
    Lighting Design by Katharine Williams
    Sound Design by Emma Laxton
    Dramaturg Synne Behrndt

    Cast: Liam Bergin, Anna Elijasz, Jon Foster, Krystian Godlewski, Gracy Goldman, Mark Jax and Bridgitta Roy.

     
    ‘Yes, that’s exactly what they’ve been waiting for in this country – you with your sewing kit.’
     
    Invisible is a funny, moving and topical portrayal of the world in flux.
     
    Lara left home convinced that hard work would find her a better life. Anton finds himself suspended sixteen floors up, cleaning windows. Malik dreams of a country where women apparently walk round half-naked while Felix, despite a pretty wife and a lucrative future, just finds it difficult to get out of bed in the morning. Amid the world of visas and wind turbines, commuter flights and nightclubs, fairy tales and tabloid press, a chance meeting drives disparate lives towards a chilling point of no return.
    Invisible is about journeys and the convergence of different people and cultures. It is also a funny, moving and topical portrayal of the world in flux and a clear-eyed exploration of the many sides of migration.
     
    Written by Croatia's leading playwright Tena Štivičić, directed by Douglas Rintoul (Barbican, Complicite) and choreographed by Darren Johnston (Laban Award for Outstanding Choreographic Achievement) Invisible explores the many sides of migration, a state known to man for over 80,000 years.
     
    Invisible follows TRANSPORT’s acclaimed productions of Europe at The Barbican, London and Elegy at the Edinburgh Festival.

    “Moving” ✭✭✭✭ Whatsonstage

    “Powerful” ✭✭✭✭ Public Reviews

    “Highly uplifting” The Stage

    “Ensemble acting at its best” Evening Star

    “Likely to draw enthusiastic applause wherever it goes” East Anglian Daily Times
     
    "Superlative" **** The Telegraph on Europe

    “Vivid storytelling…powerful production” ****
    The List on Elegy

    “A real find” The Times on Tena Štivičić's Fragile.

    Public Feedback for Invisible:

    “Enthralling from start to finish”

    “Love the play. I think it hugely important,funny&insightful.Stivicic will be one of the most influential writers of this age”

    “We really enjoyed it, deserves to sell out!”

    “A very fine show.”

    “Absolutely brilliant”

    “Really great play”

    “Gripping new play”

    “Go see this!”

    “One of the best pieces of theatre we've seen in years”

    “Highly recommend Invisible @NewWolsey till Sat. Deft direction by Doug Rintoul, great acting, sublime script by Croatia's Tena Stivicic”

    “Just left "Invisible" @NewWolsey. It is such a good play.”

    transport-theatre.eu

    # vimeo.com/31463191 Uploaded 7,755 Plays / / 0 Comments Watch in Couch Mode

  4. Are myths the fruit of prohibitions? Myths are the unknown, what’s untenable, inaccessible; once you access a myth it stops been one. So, do we impose emotional censorship to ourselves? What are the limits? What’s acceptable and what’s not and why? Are we restricted by physical issues or should we be more afraid of our emotional fragility?

    Flashing Bodies / A8 / Censura Emocional by Completely Naked, comissioned by Escrita Na Paissagem. Evora, Portugal 2011.

    Video by Pablo Robertson de Unamuno.

    More at completelynaked.co.uk

    # vimeo.com/30405561 Uploaded 76.7K Plays / / 7 Comments Watch in Couch Mode

  5. # vimeo.com/29947982 Uploaded 18.4K Plays / / 1 Comment Watch in Couch Mode

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