1. what about catastrophes? drives with sensual performative variations on catastrophe theatre at its borders: in a choreography of politically rutted landscapes, bodies which find themselves in a downfall, ritual movements, fragments of words and soundscapes emerges a multi-narrative space of layered voices.

    in a choreography with and by language an ensemble of five dancers and performers explore the grammar of catastrophe. starting from threatened bodies, the power of images and imagination of society concerning apocalypse, claudia bosse investigates the potential of structures of collapse: narratives about democracy, terrorism, freedom, revolution and civil war face bodies within extreme situations. bodies which tremble in convulsion and try to unsettle the accelerating machine of capital, media and catastrophe at the same time.

    choreography / space + installation / concept: claudia bosse, sound / video: guenther auer, with, by: nathalie rozanes, alexandra sommerfeld, florian troebinger, kostas tsioukas, elizabeth ward, technical director / collaboration space: marco toelzer, dramaturgy: fanti baum, clothes: lila john, communication: anna etteldorf, internship: andreea zelinka, assistant final rehearsals: stella reinhold, press: TQW and sky unlimited, training: ziya azazi, caroline decker, production management: margot wehinger

    a production by theatercombinat, in coproduction with tanzquartier vienna, supported by wien kultur

    what about catastrophes? is part of the overall project (katastrophen 11/15) ideal paradise, project partners are tanzquartier vienna, FFT dusseldorf, supported by wien kultur, supported by kunststiftung NRW in the framework of the series "DECOLONIZE!", ashkal alwan, kunsthalle athena

    theatercombinat.com

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  3. protAgonizo. Espectáculo unipersonal. Primer espectáculo de la cía ROTURA producciones. (Madrid. España). Estrenado en 2009. Interpretado, escrito y dirigido por Ester Bellver.

    Blog del espectáculo: protagonizo.blogspot.com

    Sinopsis: Una actriz contempla extrañada su imagen frente al espejo del camerino. En él se le irán apareciendo, como en una película, los diferentes escenarios transitados en su vida, reviviendo con ello los papeles representados en el teatro y en la revista de los años 80, género en el que debutó como artista. De la laguna de su memoria resurgen escenas y recuerdos de su infancia: la niña que fue. Ilusiones y desilusiones desfilarán como pasos de Semana Santa. Amores y desamores van conformando un vía crucis que le harán desembocar en un Juicio final. Contemplar con asombro el resentimiento, los miedos, el éxito y fracaso del personaje que representa su vida y las múltiples caras que ha interpretado en la escena le hacen poner en cuestión su propia identidad. La actriz, enfrentada a si misma sospecha, “esa no soy yo”. Una rotura del espejo en mil pedazos, en mil caritas, anuncia su ‘última representación’.

    # vimeo.com/82445725 Uploaded 13.7K Plays / / 1 Comment Watch in Couch Mode
  4. Choreography: Gabriella Maiorino
    Dance/live music: Kayo Arruda, Layo Bulhão, Valentina Campora, César Costa and Juliana França
    Set Design: Giovanni Cavalcoli
    Light design: Mike van de Lagemaat
    Music: Simone Giacomini
    Dramaturgical advice: Suzy Blok
    Production: Dansmakers Amsterdam in collaboration with NúCleo do DirCeu
    Supported by: Central de Cultura/Fonds Podiumkunsten, Ministerie van Zaken
    TOUCH IT is part of the Brasil Festival Amsterdam

    video by balanslab.com

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Rich Eicer

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