1. In this tutorial, I walk you through the process of syncing up externally recorded audio with your 5D footage.

    For more info, check out my blog:
    joncarrpro.com/blog/2009/7/13/canon-5d-audio-workflow.html

    This was from the Grande Cheese testimonial project:
    joncarrpro.com/blog/2009/7/6/new-york-pizza-testimonials.html

    # vimeo.com/5574689 Uploaded 6,283 Plays / / 16 Comments Watch in Couch Mode
  2. UPDATE:
    WORKS WITH MOTION 5 .
    Export your Clip from Final Cut X (ProRes 422 HQ for best quality) and than manually import to Motion 5.

    Software: Final Cut Pro 7 and Motion 4 / 5

    You learn how to:

    • Setup posterization effect in Final Cut
    • Creating masks in Apple Motion
    • Build up a realistic TS-Effekt in less time
    • Speed color grading in Final Cut

    Checkout the full clip on: vimeo.com/7591054
    Frankfurt | Tilt Shift. Canon 5DmkII

    Download the Raw-Clip for practice:
    dennissteib.com/vimeo/ts_apple_prores_422_720p.zip

    Shot on Canon EOS 5D MkII @ 30 fps
    Lens: Canon 24-75mm f/2.8
    Music: Oslodum by DJ Dolores

    Thank you for all Comments and LIKES,
    Dennis

    # vimeo.com/7691197 Uploaded 91.3K Plays / / 71 Comments Watch in Couch Mode
  3. Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn't open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it can also read Media Composer locators as markers, greatly improving the communication between Media Composer projects and Pro Tools sessions.

    Watch more tutorials: Avid.com/US/products/family/Media-Composer/top-features?cmpid=AV-SM-MC5-5

    # vimeo.com/17903042 Uploaded 1,360 Plays / / 2 Comments Watch in Couch Mode
  4. Avid Marquee comes standard with Avid Media Composer Software. Check out our 30-day free trial of Avid Media Composer and try it out for yourself. forms.avid.com/forms/mctrial?cmpid=AV-SM-MC5-5

    Although it's primarily relied upon for creating motion titles and graphics in 3D space, Avid® Marquee® can also make quick work of still graphics and titles. One example of this is the creation of lower-third graphics. Often times editors are asked to create multiple lower-third titles for a project with all the titles having a common look, just different text information. Marquee comes with pre-built templates for a number of graphic styles including lower-thirds. You can certainly use any of these just by double-clicking them. We're going to create our own using Marquee text and shape tools.

    We've been given a text file with a list of all the titles needed to be created for our project. That will come in very handy after we create the look of our title. To begin creating our template we'll use the text tool to identify where we want our title to go along with the font we'll use. To give the title some depth we can go to the Shadow properties tab and turn on shadows for our font and then soften it up a little bit. Since our title will have two lines we want to use the rectangular shape tool to add a line below our title name. This time, we'll use the surface properties tab to change the color to blue and to enable lighting for this shape. Marquee has multiple light sources that can be animated to help your title pop a little better. Finally, we'll use the text tool again to add another line of text to the graphic. We'll also tweak the kerning to expand the spacing to this line of text as well as add the same shadow properties we did for the first line. Looking closely at the layers window we can see the three different objects representing our title. In fact, we can re-order these to better reflect how our title is laid out. It has no bearing on how the title is layered. This is a key difference between the Marquee timeline and Media Composer®. In Marquee how objects are composited has to do where they are in 3D space in the overall scene as opposed to how they're layered in the timeline.

    Before we start using the AutoTitler feature we need to use the Info properties tab to number the text objects accordingly. Each text box must retain the same text box name followed by sequential numbers starting with 1. We'll select the first text box in our title and add a number one to its name. Next we'll select the other text box and add a 2. These numbers will tell the AutoTitler feature how to place the credits found in our text file into the template we created. Even though our title has only two lines of text, you can create templates to create as many lines of text as you like. Under the File menu, we'll select the AutoTitler and point it toward our text file. The text file needs to be saved as a plain text file to work successfully. This operation takes place very quickly. To review any of the titles select them from the Window menu. Once we're happy with the titles we can just save them to the Media Composer bin.

    Using AutoTitler is a great way to accelerate your graphics workload. And just one of the many cool things to be found inside the Marquee title tool.

    # vimeo.com/16214830 Uploaded 635 Plays / / 0 Comments Watch in Couch Mode
  5. Created for an Internet Video Production class at Columbia College Chicago. We create any kind of web show, then promote it ourselves as homework! Sweet class!

    Did video at 60fps 1920x1080i in raw H.264 capture using iShowU HD

    then converted to the new Pro Res LT for fast rendering with all the motion use.

    Exported raw file using Pro Res 4444 Codec

    then used Compressor with full frame settings to bring to 720p at 30fps

    Did the music and voiceover recording in Ableton Live 8 using midi and a custom synthesizer.

    # vimeo.com/7302908 Uploaded 14.1K Plays / / 26 Comments Watch in Couch Mode

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