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The production of Near the Egress (2009) began in 2006 with 16 rolls of black & white photo film and a few curious ideas about the following: the moving still-image, a society’s fascination with arena spectacles, and the desire of a memory. With the use of the chemical darkroom, each 35mm frame of 16 rolls of film was processed and enlarged to become a 4x5 inch modern dry-plate image (aka tintype), which then were scanned and re-sequenced to produce…
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A stop motion short film shot with a stills camera in the ceiling pointing straight at the floor. There's tons of 'making of' stuff at the website http://www.sorry-im-late.com
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THE 3-YEAR WAIT IS OVER! FINALLY ONLINE IN ITS HI-DEF, FULL-LENGTH GLORY: MAX HATTLER & JEMAPUR COLLABORATION AANAATT! (It only took 3 weeks to make, but 3 years to put online...) Thank you Vimeo for making this a Staff Pick when it came online in August 2011, and everyone who's been blogging about the film since! And thanks to everyone who voted online at Toronto Urban Film Festival 2011. AANAATT made it into the top ten Viewers' Choice films! Complete…
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Kissing Collar Visions (AMDISCS 2010) http://www.amdiscs.com/?page_id=2757 Dir. by Kat Tedesco
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yo yo yo, it's a mountain. Thanks to my experimental peeps for providing me with such nice choral sooound.
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