Entrevista a Alberto Feijóo realizada por los alumnos y alumnas del Máster de la Escuela Blank Paper de Madrid con motivo de su exposición SOMETHING WE USED TO KNOW del 16/01/2014 al 06/03/2014.
¡Novedad! Curso Anual de Nuevo Fotoperiodismo.
En BlankPaper Escuela de Fotografía hemos creado este innovador curso para que los alumnos puedan enfrentarse a las nuevas realidades del medio con la producción de proyectos fotográficos con un lenguaje renovado dentro del entorno editorial, humanitario y de conflictos.
¡Matrícula abierta ya!
+ info: bit.ly/LeAySg
American literary theorist, Walter Benn Michaels, said in his 2007 essay, Photographs and Fossils, "It is in photography rather than in painting… that the most fundamental questions about the limits of representation and the limits of the critique of representation have been raised." While numerous photographers have proven that point, Asger Carlsen is probably the most recent example.
Between 1991 and 1996, the Dane started out as a photographer who specialized in pure depictions of crime scenes. He soon discovered that he used his camera in an unexpected and unconventional way. In 2006, Carlsen began layering images on top of one another - for example, to create odd-looking faces with many eyes. Even he found his own images shocking. He did not show his work to anyone.
Today, however, the 38-year-old has come to terms with his unusual techniques. He is well known for deconstructions that question both the meaning of photography as well as the prevailing notions of normality and beauty. He is inspired by surrealism and the works of painter Francis Bacon.
Asger Carlsen's work is on show at Ruttkowski;68 gallery in Cologne, Germany from June 8th to July 15th, 2012. The exhibition, entitled "Wrong," focuses on art works of the same-named series.
Fermin Aio eta Andere Etxegaraik egindako bideoa / Vídeo de Fermin Aio y Andere Etxegarai / Video by Fermin Aio and Andere Etxegarai (Einarte Produkzioak)
Working photo project by Alberto Lizaralde