Time lapse sequences of photographs taken by the crew of expeditions
28 & 29 onboard the International Space Station from August to October,
2011, who to my knowledge shot these pictures at an altitude of around 350 km.
All credit goes to them.
HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
All in all I tried to keep the looks of the material as original as possible,
avoided adjusting the colors and the like, since in my opinion the original
footage itself already has an almost surreal and aestethical visual nature.
Music: Jan Jelinek | Do Dekor, faitiche back2001
w+p by Jan Jelinek, published by scape Publishing / Universal janjelinek.com | faitiche.de
Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth eol.jsc.nasa.gov
1. Aurora Borealis Pass over the United States at Night
2. Aurora Borealis and eastern United States at Night
3. Aurora Australis from Madagascar to southwest of Australia
4. Aurora Australis south of Australia
5. Northwest coast of United States to Central South America at Night
6. Aurora Australis from the Southern to the Northern Pacific Ocean
7. Halfway around the World
8. Night Pass over Central Africa and the Middle East
9. Evening Pass over the Sahara Desert and the Middle East
10. Pass over Canada and Central United States at Night
11. Pass over Southern California to Hudson Bay
12. Islands in the Philippine Sea at Night
13. Pass over Eastern Asia to Philippine Sea and Guam
14. Views of the Mideast at Night
15. Night Pass over Mediterranean Sea
16. Aurora Borealis and the United States at Night
17. Aurora Australis over Indian Ocean
18. Eastern Europe to Southeastern Asia at Night
An experimental film in homage to Ridley Scott's legendary futuristic film “Blade Runner” (1982).
Created by extracting 167,819 frames from 'Blade Runner's final cut version, then assembling all these images to obtain one gigantic image of colossal dimensions : a square of approximately 60,000 pixels on one side alone, 3.5 gigapixels. A virtual camera was then placed above this big picture which creates an illusion, because contrary to appearances, there is only one image. It is in fact the relative movement of the virtual camera flying over this massive image that creates the animated film, a kind of "zootrope effect", like a film in front of a projector.
The whole concept echoes one of the signature scenes from the film where "Deckard" (Harrison Ford) analyzes a photograph via voice recognition software.
Part of the WORLD EXPO Shanghai 2010, presented by "OPEN THIS END"
source : Blade Runner de Ridley Scott (the final cut)
durée : 1h51mn52s19i > 167819 frames >>
one picture / format psb : 60 000 X 60 000 : 3 540 250 000 pixels >> 3,5 gigapixels
sound > from the original score by Vangelis
compositing> logiciel : Combustion. Mac pro 2X 2.26 GHz Quad-Core Intel Xeon.
When Adobe Illustrator first shipped in 1987, it was the first software application for a young company that had, until then, focused solely on Adobe PostScript. The new product not only altered Adobe’s course, it changed drawing and graphic design forever.
Watch the Illustrator story unfold, from its beginning as Adobe’s first software product, to its role in the digital publishing revolution, to becoming an essential tool for designers worldwide. Interviews include cofounder John Warnock, his wife Marva, artists and designers Ron Chan, Bert Monroy, Dylan Roscover and Jessica Hische.