1. # vimeo.com/22144163 Uploaded 6,810 Plays / / 32 Comments Watch in Couch Mode
  2. learningdslrvideo.com/film-look-dslr-video/

    These techniques I am about to explain to you are based on my observations on how my videos require more work to match that of what I see on the big screen in the move theater.

    1. Set your camera to 24fps. To be honest this is probably provides the smallest benefit of all the items I am going to tell you about. Most people can not tell the difference from 24 to 30 fps, this happens more on a sub-conscience level. The main reason I shoot at 24fps is not the look, it is because it creates smaller file sizes for me to edit with.
    2. Shoot with a shadow depth of field (large sensor) This can be done with DSLR with large sensors like the 5D T2i and the 60D. This I think is the item that provides the most benefit of all the items I have. Not every shoot has to be this way, but just watch and film or good TV show and you will see super shallow depth of field used over and over.
    3. aspect ratio, this is the second most important. Normal people notice this right away when their TV is letter boxed once the movie starts. This is a dead giveaway that this is a film.
    4. Shoot in 720p or higher, to match film you are going to need all the resolution you can get. However many will not notice that much difference between 720 and 1080.
    5. Use a tripod, a monopod, use a rig on your shoulder, most important keep it steady unless shakiness adds to your story.
    6. Use a slider or a dolly at least a few times to reveal something
    7. use a gib, most films use an establishing opening shot and most on done on some sort of gib where the camera glides up from street level into the trees.
    8. Shoot flat and then Color your video in post. The in camera settings while very good can be a bit over saturated or have too much contrast. There are many tutorials on how to color your video to look more like a block buster.
    9. Don't zoom while filming, instead shoot far away then close up with a cut between shots. Zooms are super fun on a camcorder but I would bet that most film crews just own prime lens and don't use any zooms unless it is a very special shot.
    10. This last one has nothing to do with video, but if you audio sounds like crap because the mic is mounted on the camera, or you are missing background music that completes the scene or missing foley noises of an important event, even if you did everything else right on this list the audio which 50% of your video will not look like film.
    11. Tell a good story.

    # vimeo.com/15262384 Uploaded 12.1K Plays / / 21 Comments Watch in Couch Mode
  3. Camera slider system. What do you think?

    # vimeo.com/15587440 Uploaded 6,132 Plays / / 32 Comments Watch in Couch Mode
  4. here it is, a long journey that began with a crazy proposal to Canon well over 8 months ago, culminating in a almost a month living on a bus, touring the country, and meeting some amazing people along the way. our last tutorial is an introduction to stabilizers for EOS cameras. it covers our hands down favorite too, the monopod (answering the most commonly asked question and some tips and tricks), our take on sliders (the atlas LTS 30 by cinevate featured here), as well as a breakdown on stabilizers (featuring the steadicam merlin). i hope you enjoyed the series of tutorials, stay tuned for what's in store in 2011.

    for those of you in the paris area, come and see us on the 14th for an all day seminar on storytelling in both photo and cinema. more info on our education blog
    stillmotionblog.com/author/education

    follow us on twitter @stillmotion

    P.

    # vimeo.com/15359451 Uploaded 63.5K Plays / / 95 Comments Watch in Couch Mode
  5. thanks to all of our amazing sponsors that have made this trip possible and that have brought this tutorial to you. we have plenty more to come.

    first and foremost, thanks to canon live learning for making all of this possible (the bus and all). thanks to manfrotto for being so kind in providing 16 monopods plus tons more gear. thanks to cinevate for the shoulder rigs and atlas camera sliders. thanks to zacuto for the z-finders and DSLR rig. thanks to tiffen/lowel/steadicam for all of their lighting and stabilization support.

    we setup for our first workshop tonight and it almost resembled the show floor of BH at times.

    let us know what you think. we are happy to answer any questions and we look forward to hitting the road and shooting our next tutorial in chicago.

    check out our blog for the road trip here:
    canoncaravan.stillmotionblog.com/

    P.

    # vimeo.com/13140360 Uploaded 187K Plays / / 143 Comments Watch in Couch Mode

FILM SCHOOL

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  • We Are One Japan

    Dear film students & fresh graduates,

    Calling for entries: INTERNATIONAL STUDENTS CREATIVE Award 2014,
    Organized by Knowledge Capital, Osaka, Japan

    The International Students Creative Award is an international award contest for both Japanese and foreign university, graduate school, and vocational school students in the fields of art and information media.

    Knowledge Capital’s mission is to promote “industrial creation, culture dissemination, international exchange, and human resource development”. The purpose of the International Students Creative Award is to discover and nurture the creative ideas and talents of today’s youth to enable them to become tomorrow’s stars on the world stage.

    Selected films and the film makers will be invited to attend the award ceremony, and pre-event party in Osaka in November 2014, with free air tickets and accommodation.
    Winners of the award could win prize money up to US$3000 plus other prizes. Your creative work would also gain great exposure at the event and in Japanese media, and media industry.

    Last year, winners from Korea, Indonesia, Singapore, Hong Kong, France, and Spain had joined us for a wonderful award event together with other Japanese student creators.

    We are now calling for entries for this year’s INTERNATIONAL STUDENTS CREATIVE Award. Kindly download the application form and send it to hi@wasabicreation.com, together with any questions you may have by
    AUG 19th 2014.

    • Application form download: bit.ly/1qQgcTL
    • ISCA Application Guide download: bit.ly/1qFDhXD
    • ISCA Official Website: kc-i.jp/en/award/isca/
    • Corresponding contact for overseas applicant: hi@wasabicreation.com

    We look forward to seeing your creative works.

    Yours,
    Tong
    Overseas application correspondent
    hi@wasabicreation.com

    by We Are One Japan

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