This is a collection of timelapse-sequences I shot in Thailand, Cambodia and Vietnam earlier this year. Armed with Nikon cameras and a stage one dolly from Dynamic Perception, my girlfriend and I travelled more than 3500km overland from Bangkok to Hanoi.
Locations include Bangkok, Angkor Wat, Bayon, Ta Prohm, Banteay Srei, Beng Mealea, Ho Chi Minh City, Nha Trang, Marble Mountain, Tam Coc and Hanoi
Nightvision is a celebration of the brilliance and diversity of architecture found across Europe. Over the course of three months I journeyed with a friend through 36 cities in 21 countries with the ambition of capturing some of the greatest European structures in a new and unique way. Comprised of thousands of carefully taken photographs, strung together and stabilized in post-production, Nightvision aims to inspire appreciation for these man-made landmarks.
Nightvision would not have been possible without my Kickstarter backers, the support of the American University of Paris community, everyone who helped along the way, and of course, those who designed and built these architectural masterpieces.
A Disneyland Timelapse by Matt Givot and Dan Douglas
Over 20,000 images to show the one and only Disneyland Anaheim.
In our latest time-lapse showcasing Disneyland and California Adventure, we combined artistry with technology to capture the magic Walt Disney has created.
In one afternoon, we used timelapse photography to show some of the enchanting experiences guests from all over the world come to Disneyland to enjoy. The film gives a unique perspective of the colorful lights, moving crowds and entertaining rides.
Our goal was to showcase the magic experienced only at Disneyland Anaheim, showing how Walt Disney’s theme park vision from the 1930’s has become the world’s most popular theme park. We hope you enjoy this glimpse into his magical world.
And now the gear - over 75% of this was shot using the Carl Zeiss 21m f2.8 Distagon T*. It is almost hard to put anything else on the camera after shooting with this glass. Not only is this the sharpest lens we have shot on, It also has some of the best color rendering we have ever seen. In addition to the that glass, another important element was the Formatt Hitech 3.0 Prostop IRND filter. This would allow us to stop the camera 10 stops so we could get natural looking motion blur in the middle of the day.