Director/Camera: Luca Cerlini
Editing & Color: Agnese Puricelli
Production: Elia Boglioni, Francesco Testoni
Music: Lucia Puricelli
Font: Damiano Targhettini (damianotarghettini.com)
Actor: Lisa Bonetti, Genny Grassi, Francesco Testoni, Marco Profita
Special thanks to:
Cantina Vignenote Borgo Santa Giulia (vignenote.it)
Franciacorta Golf Club (franciacortagolfclub.com)
Punto Stiro (puntostiro.it)
Centro Benessere & Spa (residenzadeilimoni.it)
Parco Avventura Bergamo (parcoavventurabergamo.it)
Centro Benessere & Spa (lapievedipisogne.it)
Ristorante Torre Bruciata (torrediportabruciata.it)
PLEASE WATCH IN HD FULL SCREEN w/SOUND. It is a much better viewing experience. Hopefully you have a 1080P monitor and good connection. If not, bug a friend or colleague that does. It is worth it.
Landscapes: Volume 2 is the second of a three part series. Every frame of this video is a raw still from a Canon 5D2 DSLR and processed with Adobe software. In Volume 2 I again show off my beautiful home state of Arizona and I also made several trips to Utah. This video has some iconic landmarks that we have seen before. I felt that showing them again with motion controlled HDR and/or night timelapse would be a new way to see old landmarks.
Sales Pitch: I would now have to say that my timelapse skill set is very complete. The amount of knowledge I have gained through research, testing, and shooting experience is astounding. From moon phases to high dynamic range to motion control rigs to noise reduction, you would have a tough time finding someone with more overall knowledge of timelapse. If you need help with your next timelapse project you can reach me at 888-444-2739 or DustinF@crewwestinc.com
Most of the motion control for this video was done with the Stage Zero Dolly by Dynamic Perception. Once I got comfortable using the DP dolly I fell in love. I can set up shots now in much shorter times. More importantly for me, it is much smaller and much more portable than my homemade motion control. Without it, shots like the Delicate Arch shot in Utah would be nearly impossible due to the length of the hike. Buy the Stage Zero Dolly if you are looking for quality, inexpensive, easy-to-use motion control. dynamicperception.com/
In addition to the Stage Zero, I also used a three axis motion controlled CamTram. The CamTram is the most versatile dolly I have ever used. Its applications are only limited by your creativity. The CamTram has virtually no weight limit. I was able to achieve shots that dolly-in with the camera just over the ground because of the CamTram's ability to hold heavy counter weights.
CamTram Motorized Options Video: vimeo.com/30385088
The amazing graphic work at the beginning and end was done by Chris Pettit of Digital Skye Media Development. Check out Chris' other work here: vimeo.com/user8750744
Music is "Sunshine (Adagio In D Minor)" by John Murphy. #15 here: itunes.apple.com/us/album/sunshine-music-from-motion/id297702863
Thank you to the Lowell Observatory in Flagstaff for allowing me to shoot there. They were very friendly and helpful. lowell.edu/
Saving the best for last . . . thanks to my wonderful wife Laura. Not only does she put up with and support this crazy passion of mine, she helped out on many of these shots. I think I'll keep her :-)
Please watch in Fullscreen HD with sound for best quality.
"It was the light" is a time lapse piece consisting of over 40,000 still photographs shot on the Canon 5D Mark III and Canon 5D MarkII.
I've always been fascinated by how diverse San Diego county is. You can visit the beach, mountains and desert in less than a two hour drive. I could take you to every single location in this film in the same day!
Directed: Jeff Morris
Filmed & Edited: Jeff Morris
"A Dream in Death" by Tiny Telephones
Official music video for the track "Desert", taken from Messrs EP Welcome to Nowhere. Produced as part of the Media Resource Centre's Clip It! Initiative, with sponsorship from MRC and Canon Australia.
A Studio Sunkie | Young Black Youth production (ssandyby.com)
Director / Producer / Director of Photography - Nima Nabili Rad
Producer / Editor / Colourist - Daniel Principe
Associate Producer / Wardrobe - Justin Pollheim
Focus Puller - David Tang
Camera Assistant / Production Manager - Emma McGavisk
Gaffer - Yuda Tatarko
Make Up Artist - Anita Rutter
Assistant Make Up - Yasmin Abdo, Monique Lively & Alana Murphy
Hair Stylists - Karen Hedger, Monique Lively & Megan Teague
Onset Photographer - Aaron Citti
Cast - Nicholas Munday, Sarah Nemet, Lauren Koopowitz, Angus Deane, Stephanie Antonopolous, Hayley Thomas, Heather Mcnab, Orly Darwent, Reuben Baron, Thomas Papps, Christian Bartlett, Ashlee Begley, Aidan Jackson Drewett, Annabel Bramley, Annabel Lane, Grace Henderson, Sage Habel, Dylain Herridge, Ryan Pepe, Tomas Stender, Chaz Fuda, Kate Krelsham
The Media Resource Centre – Shane McNeil, Katie Powel, Kieran McNamara, Gareth Wilkes, Gail Kovatseff
Joni's Theatre Bugs
Adelaide Artists Agency
The parents and family of the cast for their time and patience
Browse This Channel
Os dejo el nuestro de NUMBERS. Premiado en el festival internacional de publicidad de Francia EPICA AWARDS y el de Nueva York CRESTA AWARDS. vimeo.com/35598517
Former Buffs Alfred Williams, Estes Banks, Brian Cabral, Eric Bieniemy, Kanavis McGhee, Jon Embree, Michael Marquez, Chad Brown, James Hill, Lance Carl, Charles Johnson, Darian Hagan, and Deon Figures talk to the team about what it means to be a Buff.