Shot around the South Island of New Zealand over three weeks, The Waters of Greenstone explores the ever changing landscapes of the Catlins Forest Park, Fiordland NP, Queenstown, Mount Aspiring NP, Mount Cook NP, Arthurs Pass NP and Castle Hill.
Timelapse sequences were shot on the Canon 5D Mark III with 17-40mm f/4L and 24-105mm f/4L, and include use of the Emotimo TB3 Black motion control head. The video segments are a combination of 5D Mark III RAW video (using Magic Lantern firmware) and aerial photography from the DJI Phantom quadcopter with Zenmuse H3-2D gimbal and GoPro Hero3+ Black Edition shooting 2.7K Protunes at 25fps. I used a 40" Digital Juice Slyder for the dolly shots.
Processing and editing was completed in Lightroom 5, LRTimelapse, After Effects and Premiere Pro CS6.
This was filmed between 29th April and 10th May 2011 in the Arctic, on
the archipelago Lofoten in Norway.
My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.
The Sunset and Sunrise are connected in one magnificent show of color and light lasting from 8 to 12 hours. The sun is barely going below the horizon before coming up again. This is the most colorful light that I know, and the main reason I have been going up there for the last 4 years, at the exact
same time of year, to photograph. Based on previous experience, I knew this was going to be a very
difficult trip. Having lost a couple of cameras and some other equipment up there before, it was crucial to bring an extra set of everything. I also
made sure I had plenty of time in case something went wrong.
If you can imagine roping down mountain cliffs, or jumping around on slippery rocks covered in seaweed with 2 tripods, a rail, a controller,
camera, lenses, filters and rigging for 4-5 hour long sequences at a time, and then
having to calculate the rise and fall of the tides in order to capture the essence - it all proved bit of a challenge.
And almost as if planned, the trip would turn out to become very
difficult indeed. I had numerous setbacks including: airline lost my
luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending
up in the hospital. As much as I wanted to give up, the best way Out is
always “Through”. I am glad I stuck it through though because there were some amazing sunrises waiting. At 1:06 you see a single scene from day to night to day which is from 9pm to 7am. Think about that for a minute.. 10 hours with light like that.
I asked the very talented Marika Takeuchi to specifically compose and
perform a song for this movie, and what she came up with is absolutely remarkable. Thank you very much Marika!
This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.