1. Abstract visuals created by Anthony Burrill and Jack Featherstone to accompany a track by Chris Coco called 8808 taken from his current album Feel Free Live Good on The Big Chill Label. Anthony and Chris are long-time friends and collaborators. Anthony also designed the album artwork with the help of the No Days Off team.

    # vimeo.com/15536363 Uploaded 1,106 Plays / / 0 Comments Watch in Couch Mode

  2. The Mill credits:

    Creative Director - Henry Hobson & Andrew Proctor
    Typeface Designer - Manija Emran
    Executive Producer - Stephen Venning
    Producer - Lee Buckley
    Music - Florence + The Machine

    The Tale: Overview
    "The 'Snow White and the Huntsman' titles are a real statement of intent for Design at The Mill," shares The Mill L.A. Executive Producer Stephen Venning. "While The Mill is known for high-end VFX, 'Snow White and the Huntsman' marks a true first for the team in designing, directing and creating a major movie title sequence from start to finish. Titles have become an iconic part of some of the best movies of all time; this is an exciting new direction for our company."

    The Battle: Scope of Work
    The project involved a complete production cycle for the sequence, from concept and design, to executing a phantom shoot to capture all costumes and props, through to CGI and VFX compositing of the various elements. It also features our custom font design for the heads and the film opening titles themselves.

    The early discussions with Rupert Sanders and the production team were highly collaborative. We explored several concept routes before we conceived the idea of an almost photo realistic high-speed sequence of an authorial battle scene to emphasize the epic proportions of the story.

    The finished sequence was a combination of live action footage, elements from the film itself for the backgrounds and very stylized 'shattering effect' CGI animation.

    Good Versus Evil: The Challenge
    One of the creative techniques we used with great success was a high speed phantom camera. It allowed us to explore the textures and micro details of the knights' armor in incredible detail. It also captured the beautiful graphical explosions of the dark knights in action creating grandiose and mythical imagery for the final battle.

    In terms of shooting, the trickiest element was filming the raven. When shooting phantom you only get the tiniest of moments to get the action you need, so working with an animal to get the performance you're after in a split second takes a lot of patience, dedication and ingenuity. The results were well worth our effort as the texture we got on the bird's wings from the phantom camera are fantastic.

    From a visual effects standpoint, our greatest challenge was to create a high speed macro shot of the ‘shattering‘ of the dark knights. The film VFX team would have had months to crack this in their shots. As the title design team we had to effectively mimic their effect with a macro level of detail in a 10th of the time.

    The biggest challenge was creating striking movie level quality of images that frame and effectively draw focus to the key principle titles. Images and text need to work together in perfect harmony to captivate the viewer and guide them through the titles content at the same time. These titles work so well because of the successful symbiosis between the phantom footage quality and the text.

    The Evil Queen: Typography
    The intricate design and exploration for the titles and the main film title at the beginning of the movie culminated in creating a custom font for the encapsulating the classic feel of the setting while at the same time boasting a contemporary and sharp look.

    Creative Director Henry Hobson developed the completely customized typeface. The new font was named Ravenna after a character in the film - the Evil Queen. It is bold and dramatic, yet subdued to match the multifaceted character and her intriguing steadfast ways.

    Every Fairytale Has a Happy Ending
    “In the case of ‘Snow White and the Huntsman’ the main title sequence shows at the end of the movie as opposed to the beginning. This was a strong creative choice by director Rupert Sanders and one that guided our exploration for the titles,” shares The Mill L.A. Creative Lead Henry Hobson.

    Positioned at the end of the film, the titles have a unique challenge - to tell the story in a new and captivating way. Abstract imagery combines with a hyper-real action sequence as the viewers find themselves deep inside the epic battle between good and evil.

    # vimeo.com/43491415 Uploaded 32.1K Plays / / 12 Comments Watch in Couch Mode

  3. Enhanced version with a new soundtrack by Ricardo Montalban.

    Made with Mandelbulb3D by Jesse. Free download on fractalforums.com!

    # vimeo.com/48835503 Uploaded 863 Plays / / 1 Comment Watch in Couch Mode

  4. 3D fractal zoom, made with Mandelbulb3D

    # vimeo.com/40251939 Uploaded 1,913 Plays / / 12 Comments Watch in Couch Mode

  5. Pseudo-kleinian fractal animation made with Mandelbulb3D. Thanks to Jesse for the awesome program and Kali and Dark-beam for the formulas ideas and scripts.

    Soundtrack "Conclusion" courtesy of zzzzra, published on "Bedtime compost" label

    3D fractal videos: youtube.com/user/bib993
    3D printed fractal sculptures: shapeways.com/shops/3Dfractals

    # vimeo.com/74763450 Uploaded 1,442 Plays / / 3 Comments Watch in Couch Mode

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