Phantom Miro M320S

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  2. Three summer evenings spent with two craftsmen doing what they do best, respectively.


    Hannu Stöckell
    Artturi Pitkälä
    Oskari Pulkkinen

    Hannu Stöckell

    Timo Kontio


    Slow motion footage shot with Phantom Miro M320S. Thanks to Mikko Granberg at Citius Imaging.

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  3. farrier

    “farrier”, the first episode of the re:PURPOSE series examines the artistry of shoeing horses. An age old craft unfolds amidst the relationship between a father and son. re:PURPOSE is a web-series that uncovers the lives of artisans and craftspeople. Seeking out individuals who have found purpose in their everyday work.

    If you know of anyone who would be a good subject for future re:PURPOSE episodes, please post your ideas below. What do you want to see next at 1500fps?!!!!!!

    Tech info:

    A few weeks after Vision Research's new Phantom Miro M320S was released, we shot Farrier to test a variety of the camera's capabilities. Primarily interested in workflow and picture quality, we found that working with this camera is a dream and it cuts great with Sony's F3 and Canon's 5D Mark III and 60d.

    Our Miro was setup with a full studio rig, including matte box, follow focus and Sachtler v20 sticks. We lived primarily on Angenieux’s Optimo 15-40mm and also had a set of Zeiss CP.2’s. All Miro files were output through the new CineFlash system. The Sony F3 made use of the same lenses and output via the PIX-240 at S-log. The 5D and 60d shared a multitude of lenses: 17-35, 70-200, 50mm ZE, Rokinon 35, 85.

    The CineFlash system is very good on the miro and downloads were quite fast. A full buffer takes about three minutes to go from internal RAM to CineFlash, but we rarely used the full buffer. It was a heavy day of shooting and we used up less than 420 gb worth of CineFlash memory.

    All of the color timing was done via Da Vinci Resolve and edited using Avid Media Composer and Pro Tools, finishing in Apple Pro Res 4444, with this online streaming version h.264 at 1920x1080 7500kb/s. That F3 sure does sing. It’s not hard to see that the log-s image provides a broad tonal range, and therefore a bit cleaner image than the other cameras. Meanwhile, the 5D and 60d's low bit-rate and bit-depth are unfortunately very apparent in comparison. The Miro falls somewhere in between, as it’s 12-bit depth is higher than the F3’s 10-bit but the bayer process leaves a little noise. The F3, of course, also wins in terms of latitude. High-speed cameras have notoriously low latitude, often as low as 8 stops, while the F3 claims at least 12 stops. The Miro has showed us around 10stops and handles whites as well as the Phantom Flex, which is far better than any other high-speed camera now on the market. In fact, the white-roll-off is quite similar to that of the 5D. The Miro technically rates at 1200 ISO (compared to the Phantom HD Gold at about 200 ISO).

    A Hollywood Special Ops & Island Creek Pictures Production

    Bob & Brant Phalen of Phalen Horseshoeing and Supply
    Rider: Racheal Johnson
    Black Stallion: Constant
    Brown Horses: Nikoo & Lilly

    Director: Emily Bloom
    Producer: Drew Lauer
    Field Producer: Jerry McNutt
    Cinematographer: Bradley Stonesifer
    Camera Operators: Tim Obeck, Jimmy Hammond, Nick Piatnik
    Editor: Patrick Chapman
    Colorist: Aaron Peak of Hollywood DI
    Audio Mixer: Michel Tyabji

    Thanks to:
    Bell Canyon Equestrian Center

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  4. Behind the Scenes with the Phantom Miro's

    Shot on location at Camp Woodward PA & NYC

    Skate/BMX/MotoX riders-
    Kevin Tierney,Kevin Grahm,Ryan Banach,Chad Kagy,Ben Hatchell,Alistair Whitton

    Director/Cinematographer/Editor: Jim Geduldick
    1st AC: Greg Wilson
    2nd AC: Zack Mctee
    Stills Photographer: Dave Gittleman
    Behind the Scenes- Dave Metty, Cody Stauder,Jorge Jovel
    AC-RB Umali
    Stuntman/Pyro- Alistair Whitton
    Music- Lemon Yellow Black - Jets to Brazil

    Special thanks to-
    Abel Cine
    Vision Research
    Camp Woodward/Woodward Films
    Kessler Crane
    Wooden Camera
    Flanders Scientific
    Red Rock Micro
    Mac Group-Kupo Grip
    Red Giant Software
    The Diamond Brothers

    Shot on Phantom Miro M series & RED Epic/Scarlet
    Edited with Adobe Premiere Pro CS6 & After Effects CS6
    Graded in Davinci Resolve
    Plugins- Red Giant Denoiser II
    Apple Mac Pro & Macbook Pro

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  5. The Miro High-Speed Inspiration Challenge Winner!

    Michael Rios as Dayvon
    Tyree M. Singetary as Markus
    Malakot Barker as Lenny

    A House of Nod Production
    Produced by Bennett Elliott
    Written & Directed by Robert Kolodny

    Gloria Arthur as Woman in Window
    Abbie Brown as Jump Rope Girl 1
    Imani Johnson as Jump Rope Girl 2
    Tina Jetter as Jump Rope Girl 3
    Victor Pacheco as Barber
    Akin Feyijinmi as Kid in Play
    Carla Jenkins as Girl on the Street
    Phoenix Williams as Bubble Blower
    Marcellous E. Lewter as Gangster
    Robert Kolodny as Money Man
    Zen Lester as Say-So
    Linzell Vaugn as Basketball Player
    Randy McKay as Handball Player
    Gregory Gregg as The Drunk
    Shames Mason as Domino Player 1
    Phillip S.R. Allison as Domino Player 2
    Taylor Zahn as Runner
    Ali Lakhani as Pizza Man
    Kate McCreary as Tattoo Girl
    Jin as Tattoo Artist
    Bryan Longschamp as Hip Hop Dancer
    Chubie as Man with Dog
    White Boy the Dog as Himself

    Assistant Director: Phillip S.R. Allison
    Production Designer: Kate McCreary
    Costume Designer: Katelyn Mueller
    Camera Operator: Chris Cazavilan
    Gaffer: Justin Van Wie
    Director of Photography: Robert Kolodny
    1st Assistant Camera: Ian Hoben
    Best Boy: Akin Feyijinmi
    Key Grip: Adam Kolodny
    Lighting Technician: Brad Reeb
    Grip: Kaya Dillon & Jeffrey Clanet
    Sound Recordist: Parker J. Colt
    Boom Operator: Akin Feijinmi
    DITs: Mike Leuis & Andrei Hirschhorn
    Editor & Colorist: Robert Kolodny
    Foley Artists: Phillip S.R. Allison & Parker J. Colt
    Sound Designers: Phillip S.R. Allison & Robert Kolodny
    Set Photographer: Serena Reynolds
    Score by Parallel Thought (Adam Calman, Jeff Blacker, Conor Wall)

    Phantom Miro M320S provided by AbelCine & Vision Research through the Miro High-Speed Inspiration Challenge.

    Lenses & supporting equipment provided by AbelCine.

    An Act Zero Films Co-Production.

    No animals were harmed in the making of this film.

    Shot on location in Brooklyn, NY.

    Special Thanks
    Moe Shore from AbelCine
    Maia Kaufman from AbelCine
    Milos Necakov from AbelCine
    Bruce Jones from Eastern Effects
    Garrett Fennelly from Act Zero Films
    Broadway Pigeon & Pet Supplies
    Larry & Terri Kolodny
    Gary Elliott & Chris Balas
    Bill Keegan from Heart 911
    Hood Ink Tattoo
    Big Boy Deli
    The 3 JJJ Unisex Beauty Salon
    Little Italy Pizzaria
    Brad Reeb
    Brandon Wisecarver
    The Residents of Bed-Stuy and Bushwick, NY

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Phantom Miro M320S

Tanner Shinnick

A channel to showcase the new Phantom Miro M320S and all of its possibilities and capabilities. Plus, let's be honest, this camera is cool as shit!

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