Time lapse sequences of photographs taken by the crew of expeditions
28 & 29 onboard the International Space Station from August to October,
2011, who to my knowledge shot these pictures at an altitude of around 350 km.
All credit goes to them.
HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
All in all I tried to keep the looks of the material as original as possible,
avoided adjusting the colors and the like, since in my opinion the original
footage itself already has an almost surreal and aestethical visual nature.
Music: Jan Jelinek | Do Dekor, faitiche back2001
w+p by Jan Jelinek, published by scape Publishing / Universal janjelinek.com | faitiche.de
Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth eol.jsc.nasa.gov
1. Aurora Borealis Pass over the United States at Night
2. Aurora Borealis and eastern United States at Night
3. Aurora Australis from Madagascar to southwest of Australia
4. Aurora Australis south of Australia
5. Northwest coast of United States to Central South America at Night
6. Aurora Australis from the Southern to the Northern Pacific Ocean
7. Halfway around the World
8. Night Pass over Central Africa and the Middle East
9. Evening Pass over the Sahara Desert and the Middle East
10. Pass over Canada and Central United States at Night
11. Pass over Southern California to Hudson Bay
12. Islands in the Philippine Sea at Night
13. Pass over Eastern Asia to Philippine Sea and Guam
14. Views of the Mideast at Night
15. Night Pass over Mediterranean Sea
16. Aurora Borealis and the United States at Night
17. Aurora Australis over Indian Ocean
18. Eastern Europe to Southeastern Asia at Night
Every frame in this video is a photograph taken by astronauts aboard the International Space Station (ISS).
I created this timelapse on a long weekend after discovering the image library online. I used Photoshop and Sony Vegas to edit and compile the footage.
The music is a track from one of my favorite sci-fi movies, Sunshine. I thought the music and imagery would fit well together.
*** Thank you all for likes,comments, shares and support this video has received. I'm truly glad so many have enjoyed it.***
*** Best viewed in HD ***
Skylights is a timelapse video made up of nearly 6,000 photos taken over the last few months in New Mexico, USA. Every frame in this video is a photograph.
Making this video was probably one of the most fun and most rewarding projects I've ever done. I greatly enjoyed traveling to remote parts of the state and it was an absolute thrill staying up all night shooting the stars. It's hard to describe how very still, quiet and beautiful the night sky is when you are so far away from the city. Most nights we all go to sleep and miss a spectacular show overhead, I hope I can capture just a hint of what may have been missed.
Many shots were taken at the VLA ( Very Large Array) in New Mexico; The location for several scenes from the movie "Contact". The VLA is a perfect location for capturing the night sky because of its lack of light pollution. In areas this dark, the Milky Way is visible to the naked eye and almost looks like a string of clouds.
The second to last shot records the sunset moments after the total eclipse of May 20th, 2012. It was pretty exciting to capture it on camera!
This is my second timelapse video and I cannot wait to get started on my next!
You can follow me on facebook: facebook.com/kn8photo
Nikon D300s, D7000 and D5100
Tokina 11-16mm and Nikkor 10.5mm Fisheye. The eclipsed sunset shot was captured with a Sigma 500mm.
I used the Stage Zero Dolly from Dynamic Perception for the motion controlled shots in this video.
It’s been almost a year since I started my journey into time-lapse photography. This project has been an ongoing process for about 4 months. There was a lot of trial and error involved, and I spent many sleepless nights in many different unexpected places. Creating this film has taught me about patience, and what it really takes to achieve the shot that you dream about in your head. I realized through the process that the gear isn't as important as the passion you put within your work.
This short video is called EXISTENCE. The video is a statement not only about time and progression, but also a statement about the world we have created for ourselves. The basis of the video contrasts the two extremes of life itself: the urban metropolis, and the beauty outside the city. I love to stargaze. Watching the milky-way float across the sky is one of the most therapeutic experiences I have ever felt. If you haven’t experienced it, then I strongly recommend taking the time to do so.
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos.
Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
The track is now available for purchase, with all proceeds going to the KWF (Dutch Cancer Society)
Download the song here via iTunes: tinyurl.com/a6j2f34
A PostPanic Production
Written & directed by Mischa Rozema
Produced by Jules Tervoort
VFX Supervisor: Ivor Goldberg
Associate VFX Supervisor: Chris Staves
Senior digital artists: Matthijs Joor, Jeroen Aerts
Digital artists: Marti Pujol, Silke Finger, Mariusz Kolodziejczak, Dieuwer Feldbrugge, Cara To, Jurriën Boogert
Camera & edit: Mischa Rozema
Production: Ania Markham, Annejes van Liempd
Audio by Pivot Audio , Guy Amitai
Featuring "Helio" by Ruben Samama