"Slow" marine animals show their secret life under high magnification. Corals and sponges are very mobile creatures, but their motion is only detectable at different time scales compared to ours and requires time lapses to be seen. These animals build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives.
Learn more about what you see in my post: notes-from-dreamworlds.blogspot.com.au/2014/03/slow-life.html
EDIT - answer to a common question: yes, colors are real, no digital enhancement, just white balance correction with curves. When photographers use white light on corals, they simply miss the vast majority of colors. Read more in my blog.
This clip, as well as stock footage, is available in 4k resolution. Make sure you watch it on a large screen! You won't be able to appreciate this clip or see individual cells moving in a sponge on a smartphone. If you have a full-HD screen, when you enter full-screen mode, please press on "view actual size" next to the HD icon to improve sharpness.
To make this little clip I took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, I used focus stacking. Each frame of the video is actually a stack that consists of 3-12 shots where in-focus areas are merged. Just the intro and last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking). Unfortunately, the success rate was very low due to copious technical challenges and I spent almost 9 long months just to learn how to make these kinds of videos and understand how to work with these delicate creatures.
I am glad that I abandoned the idea of making this clip in 3D (with two cameras) - very few people have 3D screens and it doubles processing time.
- Canon 7D (died at the beginning of the project as I had overused it in my research), Canon 5d Mkiii (90% of footage is done with it)
- Canon MP-E 65 mm lens
- adjustable custom-spectrum lamps (3 different models) - they were needed to recreate natural underwater illumination.
- several motorized stages including StackShot for focus stacking
- multiple computers to process thousands of 22+ Mpx raw images and perform focus stacking (an old laptop died on that mission after 3 weeks of continuous processing).
Edited in Sony Vegas, Adobe Photoshop CS6, Zerene Stacker, and Helicon Focus.
Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.
Ever since I first saw one of these, in the Caribbean, 15 years ago, i have wanted to see one closely.
They look like fish scales and you see them in the water column. They are tiny, about 5mm long. It takes a while to realise that they are not fish scales, but are in fact tiny creatures. I think I remember someone saying they were octopods (?) but cannot find anything about them.
We get them a lot in Lembeh. They are visible one second, as they reflect light, giving them their distinctive metallic blue colour, then they disappear. Just when I get in focus range, they always swim away, with a flick of their tails, Very frustrating.
This week I finally found a dead one! It caught my eye, as it had become attached to a tendril of something on the bottom. Finally i could see and film it's body. even when dead it still has this amazing reflective capability, almost ghost-like.
If you look very closely at the footage, especially when it disappears, you can see it's tiny legs and body.
I hope this will interest others like me, who have always wondered what it is.
Hyperland is a 50-minute long documentary film about hypertext and surrounding technologies. It was written by Douglas Adams and produced and directed by Max Whitby for BBC Two in 1990. It stars Douglas Adams as a computer user and Tom Baker, with whom Adams had already worked on Doctor Who, as a personification of a software agent. /via Wikipedia