1. Le Frontball est un nouveau sport de balle à main nue regroupant toutes les techniques des jeux similaires existant. C'est également un extraordinaire outil d'intégration sociale de part sa simplicité, son faible coût et le plaisir de jeu qu'il procure presque instantanément... Du Pays Basque à Mexico, de Catalogne à New-York en passant par la plus improbable des destinations sportives : un camp de réfugiés palestiniens, ce documentaire de 70 minutes racontera l'histoire des créateurs du Frontball et de ceux a travers le monde qui le découvrent… ( fin de tournage, Décembre 2012 ) Réalisation : Michel & Nicolas Arribehaute m.arribehaute@gmail.com arribehautenicolas@gmail.com Images tournées au Panasonic Lumix GH2 avec l'aimable contribution de Panasonic France.
    Frontball : facebook.com/frontball

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  2. Portrait d'une traileuse française, gagnante de la Diagonale du Fou. Emilie a découvert le sport tard et rattrape le temps perdu en trail et raid aventure. Premier documentaire co-produit par Montagne TV et Quechua.

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  3. “Locomotive”, the most recent addition to the mosaic screen installation in the foyer of Place des Arts, is a fantastical portrayal of a human machine.

    The context resembles an elaborate organic dominos game. It begins with a musical impulse and is accompanied by an inexorable advancement of light.

    Human flesh makes up a patchwork of glittering metallic members - which have the luster of new pistons and bolts - engendering a hybrid mass.

    Caught in awkward tension, the bodies quiver in suspension, the movement becoming increasingly intense until released by the passing impulse.

    The carefully synchronized three-dimensional chain reaction of image, sound and light dehumanizes the body while simultaneously makes us smile. Uncomfortable yet intrigued, the eye of the passer cannot turn away from the machine. The complexity of the work lies in its ambiguity of being funny, monstrous, and sensual all at the same time.

    The totality of this intriguing puzzle is best seen by taking a step back. However, in order to observe and appreciate the detail of the movement, it is equally engaging to advance forward. Each gear, wheel and suture plays its role to tie the whole piece together.
    For this project, in lieu of creating a work that is intrinsically promotional, Place des Arts has taken the risk of acting as a sponsor and distributor of this purely artistic and cinematic endeavor.

    Conceived with the intention of using the proposed space - its limitations and constraints – in the pursuit giving life to a custom made creation, “Locomotive” highlights the artistic potential of the mosaic screens in the foyer.

    ______________________________________________________________________________________________

    L’œuvre "Locomotive" qui vient nouvellement habiller la mosaïque d’écran du hall de la Place des Arts est une machine humaine chimérique.

    Un jeu de domino organique qui se met en marche sous l’impulsion de la musique et l’avancée inexorable de la lumière.

    Les corps en tension, fébriles et tressaillant s’activent, leur mouvement s’amplifie et s’intensifie jusqu’au relâchement qui suit le passage de la vague.
    Le patchwork des membres métalliques et luisants comme autant de pistons et de boulons suffisent à engendrer cette machine hybride, sans autre accessoire que la chair.

    La réaction en chaîne tridimensionnelle –image, son, lumière- minutieusement synchronisée, déshumanise les corps tout en nous faisant esquisser un sourire. Mal à l’aise et intrigué, l’œil du passant ne peut se détourner de cette machine à la fois complexe et drôle, monstrueuse et sensuelle.
    On se recule pour embrasser du regard la globalité de ce casse tête intrigant, avant de mieux observer les détails de chaque rouage, de chaque mouvement, de chaque suture.
    On peut en rire; on peut également en frissonner.
    Pour ce projet la Place Des Arts a pris le risque d’agir à titre de commanditaire et de diffuseur d’une pièce purement artistique.

    Elle a coordonné et appuyé cette œuvre cinématographique non pas dans le but de véhiculer un message promotionnel mais pour mettre en valeur la mosaïque d’écrans, pour utiliser l’espace proposé -avec ses limites et contraintes- et donner vie à une création qui l’épouse parfaitement.
    ______________________________________________________________________________________________

    Director: Thibaut Duverneix
    Creation: Thibaut Duverneix & Mathieu Léger
    Choreographer: Ashlea Watkin

    Production: Departement
    Line production: Antler Films
    Executive producers: Sach Baylin Stern - Thibaut Duverneix
    Producer: Josh Usheroff

    Cinematographer: Christophe Collette
    Makeup: Anicko Bouchard
    Art Direction: Mathieu Léger
    Editing - Post Production - Grading: Thibaut Duverneix

    Music composer: David Drury
    Music producer: Christian Olsen & David Drury
    Bass player: Sage Reynolds

    Talents:

    Allison Blakley
    Victoria Diamond
    Jérémy Fiset
    Milan Gervais
    Emily Gualtiery
    Lael Stellick
    Andrew Tay
    Ashlea Watkin

    1st camera assistant: Mariane Laporte
    Grip: Max Robert
    Electro: Christian Mouzard
    PA: Mathieu Lefrancois-Gauvreau
    Intern: Hans Bobanovits
    DIT: Alexis Vanier
    Watchout Integration: Thibaut Duverneix & Philippe Larocque

    Special thanks to:

    Place des Arts
    Sophie Labelle
    Samuel Rigaux
    Lucie Ladhui
    Cinepool
    Cineffects
    Département Caméra
    Scapin Staging

    # vimeo.com/32282580 Uploaded 101K Plays / / 58 Comments Watch in Couch Mode

  4. “Our steps follow our instinct and take us into the unknown.
    We no longer see the obstacles behind us, but look forward to the ones ahead.”

    More infos about Kilian's project in the next 5 years summitsofmylife.com

    Kilian is about to embark on some colossal personal challenges that will test his fitness, resolve and skills far beyond the reaches of his career so far.
    Combining his tremendous capacities for physical endurance with the mountain environment he is so passionate about, Kilian will undertake a number of feats throughout the coming years that stand to change our perception of human capabilities.

    summitsofmylife.com
    facebook.com/summitsofmylife

    Directed by sebmontaz.com
    Original soundtrack by zikali.com

    "No-one told us who we were.
    No-one told us we should this.
    No-one told us it would be easy.
    Someone said we are our dreams, that if we don't dream, we are not linger alive.
    Our steps follow our instinct and take us into the unknown.
    We no longer see the obstacles behind us, but look forward the ones ahead.
    It's not about being the fastest, the strongest or the biggest...It's about being ourselves.
    We are not just runners, mountaineers or skiers...or even athletes...we are people.
    We don't know if we'll find it, but we're going in search of happiness.
    What is it we're looking for? To be alive?"

    # vimeo.com/42632868 Uploaded 328K Plays / / 53 Comments Watch in Couch Mode

  5. Owen Wright is a herculean figure in a sea of short, scrawny professional surfers. His tall, muscular build breaks the mold of the stereotypical surf stature. In this anatomical study of his physique, we highlight his enormous presence compared to his pro surfing peers as well as other professional athletes.

    See the full article here:
    indoek.com/archives/11211

    Directed by Matt Titone
    Photography: Ron Thompson + Matt Titone
    Design: Matt Titone + Ron Thompson
    Motion: Chris Gardner + Ron Thompson
    Sound Design: Drastic Music & Sound Design
    Script by Matt Titone + Drew Innis
    An INDOEK / ITAL/C Production
    Co-Producer: Alli Taylor
    (*All stats quoted from Wikipedia)

    indoek.com
    facebook.com/indoek
    @indoek

    # vimeo.com/63200943 Uploaded 130K Plays / / 43 Comments Watch in Couch Mode

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