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  2. Midnight Sanctuary [ Trailer ]
    © Meton Atopik 2013
    Full VideoWork Coming soon on "Tales of Lovers Site"

    U.S. Erotic Tales us.bodyartcollector.com/

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  3. Maya Plisetskaya - BOLÉRO (Ravel)

    Le Ballet du XXe Siècle
    BOLÉRO de Ravel
    Fête de l'Humanité
    Théâtre Royal de la Monnaie, Bruxelles, Belgique, 1976

    Solistă / Soloist: Maia Pliseţkaia / Maya Plisetskaya (n. 1925)
    (Maia Mihailovna Pliseţkaia, Майя Михайловна Плисецкая,
    Maïa Mikhaïlovna Plissetskaïa, Maya Mikhaylovna Plisetskaya,
    Maia Mihailovna Plisetkaia, Maya Mikhaylovna Plisetkaya)
    Prima ballerina assoluta (din / from 1960)

    Coregrafie / Choreography: Maurice Béjart
    Muzică / Music: Maurice Ravel (Boléro - 1928, 1930)


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  4. Title: Lost in Motion

    Dancer/Choreographer: Guillaume Côté

    Director: Ben Shirinian
    Producer: Leslie Aimée Gottlieb
    Production Company: Krystal Levy Pictures
    Executive Producers: Leslie Aimée Gottlieb, David Miller
    Director of Photography: Jeremy Benning
    Post Producer: Nick Sorbara

    Editorial: School Editing
    Editor: Jon Devries
    Online: Paul Binney

    Visual Effects: Crush Inc.
    Senior Designer: Julia Deakin
    Flame Artist: Andre Arevalo

    Colour: REDLAB Digital
    Senior Colourist: Walt Biljan

    Music: "Another Day," written by James LaValle, Published by Songs Music Publishing LLC o/b/o Ram Island Songs (ASCAP), Album Leaf Music (ASCAP)

    Client: National Ballet of Canada

    Produced with a grant awarded by:
    Bravo!FACT (Foundation to Assist Canadian Talent)
    A division of Bell Media Inc.

    Special Thanks:
    Michael Levine
    William F. White International Inc.
    Dennis Munn and Commercial Studios Ltd.

    © Copyright 2011 Krystal Levy Pictures Inc.

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  5. Visual surprises abound in this tantalizing contemporary ballet, which blends a classical sensibility with a bold, modern wit. The choreography includes six men, six women, and six fencing foils. The foils are, in many ways, the men's real dancing partners and sometimes turn out to be more stubborn and willful than a human partner. Kylián also makes playful use of black baroque dresses, which seem to exist both separately from the dancers and molded to their bodies.

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