1. Robert Fripp: "16 December 1977" (DGMLive - 1804) 2011 - EX Audio Source: Rehearsal Cassette.
    Review: dgmlive.com/archive.htm?artist=22&show=1804

    Bass: John Wetton
    Drums: *Narada Michael Walden
    Guitar: Robert Fripp

    *John McLaughlin and the Mahavishnu Orchestra, Jeff Beck (on Beck's album Wired) and Tommy Bolin Band.

    # vimeo.com/75267526 Uploaded 93 Plays / / 0 Comments Watch in Couch Mode
  2. Adrian Belew, Tony Levin, Pat Mastelotto, Tobias Ralph, Markus Reuter & Julie Slick playing King Crimson's "B'Bom" and the beginning of "Thrak" during the "2 Of A Perfect Trio" tour.

    --- en.wikipedia.org/wiki/King_Crimson ---
    King Crimson are a rock band founded in London, England in 1969. Often categorised as a foundational progressive rock group, the band have incorporated diverse influences and instrumentation during their history (including jazz and folk music, classical and experimental music, psychedelic rock, hard rock and heavy metal, new wave, gamelan, electronica and drum and bass).

    They have been influential on many contemporary musical artists and have gained a large cult following, despite garnering little radio or music video airplay.

    Though originating in England, King Crimson have had a mixture of English and American personnel since 1981. The band's line-up (centred on guitarist Robert Fripp) has persistently altered throughout their existence, with eighteen musicians and two lyricists passing through the ranks; though a greater degree of stability was achieved later in their history, with Adrian Belew having been a consistent member since 1981.

    The debut line-up of the band was influential but short-lived, lasting for just over one year. Between 1970 and 1971, King Crimson were an unstable band, with many personnel changes and disjunctions between studio and live sound as they explored elements of jazz, funk and classical chamber music.

    By 1972 the band had a more stable line-up and developed an improvisational sound mingling hard rock, contemporary classical music, free jazz and jazz fusion before breaking up in 1974. They re-formed with a new line-up in 1981 for three years (this time influenced by new wave and gamelan music) before breaking up again for around a decade.

    Since reforming for the second time (in 1994), King Crimson have blended aspects of their 1980s and 1970s sound with influences from more recent musical genres such as industrial rock and grunge.

    The band’s efforts to blend additional elements into their music have continued into the 21st century, with more recent developments including drum and bass-styled rhythm loops and extensive use of MIDI and guitar synthesis.

    King Crimson's existence has been characterised by regular periods of hiatus initiated by Robert Fripp, and their current status is ambiguous.

    Despite online diary posts from Fripp suggesting that he does not feel a powerful desire to work within the King Crimson context, he and other members continue to work within the context of related "ProjeKCts" (an ongoing succession of spin-offs from the main band initiated in 1997, of which the latest example is the song-based "Jakszyk, Fripp and Collins").
    --- en.wikipedia.org/wiki/King_Crimson ---

    # vimeo.com/33149084 Uploaded 2,178 Plays / / 1 Comment Watch in Couch Mode
  3. Making of film directed by Jake & Josh
    jakeandjosh.co.uk

    The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.

    Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.

    The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.

    Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.

    The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.

    Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.

    CREDITS

    Directors:
    Elliot Dear & Yves Geleyn

    Executive Producers:
    Bart Yates
    Michael Feder

    Producers:
    Bart Yates
    James Stevenson Bretton
    Josephine Gallagher

    Line Producer:
    Kev Harwood

    Production Manager:
    Benjamin Lole

    2D Animation:
    Premise Entertainment LLC

    2D Animation Supervisors:
    Aaron Blaise
    Dominic Carola

    2D Line Producer:
    Iris Pearson

    2D Animators:
    Erin Humiston
    Darko Cesar

    Head of Clean-up 2D Animation:
    Janelle Bell-Martin

    2D Clean-up Artists:
    Mi Yul Lee
    Teresa Quezada-Geer
    Jacque Pierro
    Chad Thompson
    Jason Peltz

    2D Compositor/Scene Setup:
    Mac Masters

    2D Artistic Coordinator:
    Pam Darley

    2D Digital Artist:
    Anthony West
    Enoc Castaneda

    2D Lead Colourist/Coordinator:
    James Lancett

    2D Colourists:
    Sean Weston
    Joseph Sparkes
    Frankie Swan
    Harriet Gillian

    Assistant 2D Colourist:
    Lila Peuscet

    2D Illustrator Technician:
    Albert Sala

    Printers:
    The Graphical Tree

    Laser Cutting:
    Ewen Dickie

    Designer/Typographer:
    Robert Frank Hunter

    Storyboard Artists:
    Sav Akyuz
    Steve Tappin
    James Lancett
    Robert Frank Hunter

    3D Technical Director:
    Patrick Hearn

    3D Previsualisation Artist:
    Simone Ghilardotti
    Lucas Cuenca
    Johannes Sambs

    Lead Stop-Frame Animator:
    Andy Biddle

    Stop-Frame Animators:
    Daniel Ojari
    Daniel Gill

    Production Designer/ Supervising Modeller:
    John Lee

    Art Department Modellers:
    Colin Armitage
    Sonya Yu
    Maggie Haden
    Collette Pidgeon
    Yossel Simpson Little
    Richard Blakey
    Gary Welch
    Christy Matta
    Lucy Begent

    Scenic Painters:
    Fiona Stewart
    Beth Quinton

    Rigging Department:
    Richard Blakey

    Art Department Assistants:
    Morgan Faverty
    Anna Ginsburg
    Jennifer Newman

    MOCO/Camera Assistant:
    Max Halstead

    Director of Photography:
    Toby Howell

    Gaffer:
    Aldo Camilleri

    Runner:
    Robert Gould

    Post Production:
    Blinkink Studios

    Post Production/Compositing:
    Alasdair Brotherston
    Ian Sargent
    Carlos Diego
    Jonathan Gallagher
    Elliot Dear

    Editors:
    Sam Sneade at Speade
    Ellie Johnson at Speade

    Music Consultants:
    Leland Music

    Sound Design:
    Sam Robson at Factory Studios

    Colourist:
    Jean-Clement Soret at MPC

    ‘Making of’ Film:
    Jake Hopwell & Josh Hine

    Studio Manager:
    Elizabeth Day

    Studio Assistant:
    Toby Goodyear

    Catering:
    Laura Barbi

    Advertising Agency:
    Adam & Eve DDB

    Executive Creative Director:
    Ben Priest

    Creative Directors:
    Aidan McClure Laurent Simon

    Agency Producer:
    Anthony Falco

    Assistant Producer:
    Catherine Cullen

    # vimeo.com/78254514 Uploaded 1.2M Plays / / 254 Comments Watch in Couch Mode
  4. Video for the song King Of Magazines by Danko Jones. dankojones.com / badtasterecords.se

    # vimeo.com/2484414 Uploaded 45.7K Plays / / 20 Comments Watch in Couch Mode
  5. 'As Night Falls' was written specifically for new Australian suspense drama 'BLAME' directed by Michael Henry. BLAME was launched at The Melbourne International Film Festival, and will also be shown at the prestigious Toronto Film Festival in September. BLAME also features the Blackchords track 'These Light' which makes a brief appearance at the start of the trailer.

    'As Night Falls' is available digitally from August 16th through Valleyarm and available on all good digital download stores including iTunes.

    The single is backed by album and live favourite '22' which has been remixed to support the release.

    # vimeo.com/15528700 Uploaded 85 Plays / / 0 Comments Watch in Couch Mode

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