A Semiconductor work by Ruth Jarman and Joe Gerhardt.
Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency. Special Thanks to Andy Kale.
Made for the exhibition Invisible Fields at Arts Santa Monica in Barcelona Spain.
20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.
05.00 minutes. / HD / 2011
HD single channel and HD 3D single channel.
20Hz is co-commissioned by Arts Santa Monica + Lighthouse . Supported by the British Council.
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This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.
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Music by my friend: Ludovico Einaudi - "Nuvole bianche" with permission.
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Astrophysicist Dr. Neil DeGrasse Tyson was asked in an interview with TIME magazine, "What is the most astounding fact you can share with us about the Universe?" This is his answer.
Narration: TIME Magazine's "10 Questions for Neil Degrasse Tyson"
Music: "To Build a Home" by the Cinematic Orchestra feat. Patrick Watson
Video (in order of appearance):
IMAX: Hubble 3D (Orion)
Animal Planet: Safari
Yellowstone: Battle for Life (Waterfall)
Supernova to Crab Nebula
BBC: Wonders of the Solar System (formation of the solar system)
Accretion and First Eukaryotes from the 2011 film "Tree of Life" directed by Terrence Malick
BBC: Charles Darwin and the Tree of Life
"Salar de Uyuni, Bolivia" by Ayrton Orio (Model: Xharon Kendelker)
BBC: Wonders of the Solar System (Brian Cox w/ telescope)
"Afghanistan - touch down in flight" by Augustin Pictures
"mongolia!" by wiissa
Excerpt from "Outside In", Copyright Stephen van Vuuren/SV2 Studios
IMAX: Hubble 3D (Inside Orion Nebula)
Shuttle Launch from 1985 IMAX film "The Dream is Alive"
"Earth -- Time Lapse View from Space, Fly Over -- NASA, ISS" by Michael Konig
Excerpt from "The Island" - La Palma Time Lapse Video by Christoph Malin
Galaxy Map and Galaxy Formation by NCSA's Advanced Visualization Lab
"Mars sunset" captured by NASA's Mars Exploration Rover Spirit (from BBC: Wonders of the Solar System)
Edited by Max Schlickenmeyer
Neil goes on to say "For me, that is the most profound revelation of 20th century astrophysics and I look forward to what the 21st century will bring us, given the frontiers that are now unfolding."
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Testing Modo 601 incredible volumetrics, it's like a blend between Maya fluid container and Afterburn 10 times more powerful :)
Character RiggingTool Develop & Visual Effects Technology showreel
(FX) MAYA \ MAX
(Interior Design) AUTOCAD \ AI \ MAX
(crowd simulation) Massive
(Camera tracking) boujou
(rendering) VRAY 2.0 \ MR \ 3Delight \ Maxwell
(composite) Nuke \ AE
Mel \ Python \ C++
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