Tehching Hsieh is an artist who has been mythologized since retiring from making art in 2000. In 1970s and 1980s New York, he made an exceptional series of artworks: five separate one-year-long performances.
The exhibition will focus on documentation of his performance ‘life work’, One Year Performance 1980-1981 (Time Clock Piece).
For one year, the artist punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.
This will be the first exhibition of the Taiwanese-born, New York-city based artist’s work in Europe.
"Cicada is a gift for one person and the world at the same time. I had thought that a gesture of kindness and love if made just right would resonate itself into many more such acts." -Mauricio Baiocchi, director
While Cicada Princess was still in production, I started composing some themes based on the story. I visited the set a few times, so I had an idea about the look of film. I probably had a feature film's worth of music for this short. Once there was a locked edit it became clear that, although the story is kind of epic and operatic in scale, the score needed to provide a thread to tie together the quickly-moving story together.
See more of my work at agentsdelfuturo.com/