timelaps/5D/shortmovies/landscapes/docu

Credits:

Music title: MARIO BASANOV & VIDIS feat JAZZU - I'll be gone
Director: Rimantas Lukavicius
CGI: Rimantas Lukavicius
Producers: Martynas Mickenas, Arunas Matacius
Production Company: RGB
Inspired by SOBIESKI
Year of completion: 2008

Single is available at:
junodownload.com/products/1495491-2.htm

korb.lt

This past sunday, the red and black crowd was waiting to see Flamengo win the Brazilian National Soccer Championship for the sixth time. A seventeen years waiting line was at the end, and Flamengo, the team that has the biggest number of fans in Brazil, won its last match 2x1 against Grêmio's team. Moments of tension, joy and ecstasy on a day that will never be forgotten, an epic day. The Maracanã stadium was completely full for the red and black party. December 2009, Rio de Janeiro is no longer the same.

No último domingo toda a massa rubro negra esperava para ver o Flamengo vencer o
Campeonato Brasileiro pela sexta vez. Os dezessete anos de espera terminaram, o Flamengo, a equipe que tem a maior torcida do Brasil ganhou por 2x1 o último jogo contra a equipe Grêmio. Momentos de tensão, alegria e êxtase em um dia que nunca será esquecido, um dia histórico. O estádio do Maracanã estava completamente cheio para a festa rubro negra. Dezembro de 2009, o Rio de Janeiro não é mais o mesmo.

Art Director Jopsu Ramu from Musuta Ltd. (a multidisciplinary design agency based in Helsinki & Tokyo) has created together with Shun Kawakami (artless Inc) an artist and designer from Tokyo - a piece titled Urban Abstract. This digital art piece is being shown as the November break bumpers on one of the biggest commercial TV channels in Finland: TV Nelonen.

Urban Abstract -piece was born in Tokyo during 2009. It consists of 40 X five second clips or it can be viewed as a one 200 second journey.

Urban Abstract is a first piece created in collaboration with Ramu and Kawakami. The artists have plans for new pieces and are currently looking for interesting projects to work on and to continue this Helsinki - Tokyo collaboration.

The website urban-abstract.com works as a part of the piece and creates an extra dimension for the clips shown on TV.

URBAN ABSTRACT - About the concept:

Urban Abstract is a journey across urban space that unfolds in forty, 5 second parts. The journey, in one, two and three dimensions, is a bit like abstract surfing in which the original destination is only reached after a number of seemingly random yet linked detours occur. Points , lines, planes and other abstract elements create a journey through an Urban Abstract.
The space between things is as important as intended space, perhaps creating a fourth dimension. Meaningful shapes and purposes occur in this dimension's reality as well. The concept of negative space has meaning here.
Nature plays a part as well. To be able to understand and differentiate what is urban one has understand what is nature.
The style of the shorts is fluid and, though seemingly random, stream into a cohesive whole. Perhaps watching them in a different order would be more like seeing the same journey from another point of view. The sound world is also very important -- movement in space is sensed even if watching the shorts with eyes closed. Sounds overlap, fade, come and go.
Architectural, abstract, someway minimalist and abstract with a touch of humanity.
This feeling is reached through mixing techniques such as vectors , hand drawn lines and painting.
Urban Abstract was realized in Tokyo by a team of artists, designers and animators from Finland and Japan. Urban Abstract was created by Jopsu Ramu from Musuta Ltd, a concept, art & design -studio based in Tokyo and Helsinki.

About the creators:

Jopsu Ramu (born 1982). She is a young Finnish designer and an art director who runs her own business Musuta Ltd. Ramu creates art, graphic design, space & design.


Musuta Ltd.
Musuta Ltd. is a Finnish company operating in Helsinki & Tokyo. Musuta is a multidisciplinary design studio that makes art, space, design, graphics, concepts & branding.
Musuta produces Ramu's personal art work as well as creates commercial work for different clients including: Iittala, Hartwall, Pepsi Co., Kawada Group, TV Nelonen etc.
- musuta.com

Shun Kawakami (artless Inc.)
Shun Kawakami is a highly awarded designer & artist living in Tokyo. He is also the founder and chief of Artless Inc. He has won awards in many design competition from Type Director's club (TDC) to Art Director's Club (ADC) and so on.. He has also held many exhibitions in Japan, Europe and the U.S.
- shunkawakami.jp

TV Nelonen
Channel Four Finland – Nelonen Nationwide commercial tv-channel Offers second-highest reach and is the third-largest advertising medium in Finland
nelonen.fi


If you embed or publish the Urban Abstract -video on blogs etc. please keep in mind to mention and credit the creators. The video should not be altered or edited in any way without permission from the creators.

Credits:
Creative Director Jopsu Ramu MUSUTA
Art Director Jopsu Ramu MUSUTA, Shun Kawakami artless Inc.
Design&Storyboard Jopsu Ramu MUSUTA
Opening scene artwork Shun Kawakami artless Inc.
Calligraphy Gen Miyamura
Sound Chikao Maruyama
Producer Timo Huhtala MUSUTA
Director Mitsutomo Maeda & Masaru Ikeda EDP graphic works
Animation&Production EDP graphic works
Project management Tokyo Masaji Kinoshita / shirofuchi Inc.
Executive Producer MUSUTA Ltd.
Special thanks Taisuke Koyama, Brian Kaszonyi
Created by MUSUTA Ltd. - Jopsu Ramu & Timo Huhtala

LUCIA (Lucía, Luis y el lobo - Part 1 of 2)
by Niles Atallah, Cristobal Leon & Joaquin Cociña
Lucía is the 1st short video of the 2-part series “Lucía, Luis y el lobo” (”Lucía, Luis and the Wolf”). The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.

This footage (around the house and around downtown I.F.) is the result of our first efforts with a new and interesting recipe--a digital SLR video camera mounted on a handheld stabilizer rig, specifically the GlideCam 2000 Pro. It takes a bit more work to balance than a traditional video rig, just because the camera itself is wider and shorter from front to back. In our case the assemblage is also taller due to the camera's vertical battery grip. We found that the best way to mount it is with less counterweight but a longer extension.

Again, it takes work to balance, but there are different ways to fine-tune (like shifting the weights on the base from side to side or front to back, as well as sliding the camera plate). Once we nailed down the balance, it worked VERY well. Just a hair off balance, it worked OK at best. It's very sensitive so even setting down and picking it back up can have an effect. But in our opinion the results will be well worth the hassle.

One note about optics. Several wide angle lenses were tried, but we always went back to one in particular: the Canon 24mm 3.5L TS-E. It's a manual focus lens, which in this case is a non-issue. Optically it's just a brilliant tool, but what sets it apart is that it's wide AND adjustable. Shifting it up or down lets you frame the shot vertically just the way you want, and you can do it without having to manipulate the assembly in any way. Creatively, we are still tinkering with the tilt function, but there are some interesting possibilities. For example, you could tilt it off axis but keep your moving subject right in the focus plane while letting everything to the left and right fade into a beautiful blur. You can also rotate it so the tilt function is vertical, producing a surreal effect that makes expansive scenes look almost "miniature."

Thanks for looking!