.Fullscreen it, please.
A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects
are already-built spaces. Sometimes in an abstract way. Sometimes surreal.
Credits:
CG
|Modelling - Texturing - Illumination - Rendering| Alex Roman
POST
|Postproduction & Editing| Alex Roman
MUSIC
Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)
Sound Design by Alex Roman
Based on original scores by:
.Michael Laurence Edward Nyman. (The Departure)
.Charles-Camille Saint-Saëns. (Le Carnaval des animaux)
Directed by Alex Roman
Done with 3dsmax, Vray, AfterEffects and Premiere.
http://www.thirdseventh.com/
.Fullscreen it, please.
A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects
are already-built spaces. Sometimes in an abstract way. Sometimes surreal.
Credits:
CG
|Modelling - Texturing - Illumination - Rendering| Alex Roman
POST
|Postproduction & Editing| Alex Roman
MUSIC
Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)
Sound Design by Alex Roman
Based on original scores by:
.Michael Laurence Edward Nyman. (The Departure)
.Charles-Camille Saint-Saëns. (Le Carnaval des animaux)
Directed by Alex Roman
Done with 3dsmax, Vray, AfterEffects and Premiere.
http://www.thirdseventh.com/
This is a thrown together piece of footage I took with Canon's new 1Dmk4 which I had the chance to have a play with for a few days thanks to Ben Walton from Team Digital in Perth Western Australia.
I was off on True North again to capture some highlights of their Sydney Rocks cruise for New Years. I packed the 5Dmk2 and of course the Brand Spanking New 1Dmk4.
The pressure was on on two levels. One to shoot some nice footage for the owners of True North and Two to do justice to Canon's new super camera. Unfortunately no one told the weather to play ball and it was a dull grey dreary few days in Sydney.
Of course this is great for even light but if your trying to sell beds on boats blue sky wins out everytime. I alternated between the two camera's so I have more footage from this trip but I wanted to show only 1D footage in this edit.
I couldn't really distinguish between the footage of
the two cameras but noticed that the 1Dmk4 footage looked a little softer than the 5D. Maybe it was…
Aerial Filmworks is working with the Grand Canyon National Park to film the national park using the Cineflex V14HD. This amazing gyro-stabilized aerial system uses an integrated Sony CineAlta HDC1500 camera with 42x 9.7mm Fujinon lens. All footage was recorded 1080/23.98p dual-link 4:4:4 to a Sony SRW1 deck on HDCAM SR tape stock.
The original HDCAM SR source tapes were digitized using an AJA Kona3 card to a MacPro 8 core with 17Gb RAM, and edited with Final Cut Pro at our inhouse edit suite.
The Cineflex V14HD was mounted on the nose of a Bell 206B3 Jet Ranger helicopter. We worked closely with the national park to make sure all permissions and permits were in place. Daily updates to local air traffic control and the tour helicopter companies were sent on flight days. Our pilot was specifically approved for the operation by the FAA and Department of Interior. We mapped reference points to the GPS and input sensitive condor nesting areas that we needed to avoid. Natural resource and…
Promo for Freezelight.ru TEAM exhibition at august 2009 - october2009.
Canon 1Ds Mark III
Canon 5D Mark II
EF 85/1.2
EF 24-70/2.8
EF 50/1.4
580 EX II
about 1200 photos
it takes 5 nights
Just think about it… What if you were trapped under something heavy and the mouse was out of your reach? Scary, right? That's exactly why we have these keyboard shortcuts so you can still use Vimeo until the help arrives.
