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The above video focuses on how you can get some high production value shots utilizing a green screen that doesn't have to be difficult or expensive. We dig into keying and compositing in After Effects as well as a stitched background with Photoshop. We have attempted to cover as much of the process as possible: from shooting, keying and compositing, through color correction. There are also some included tips on how to enhance a flat still to sell…
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darkfibrefilms.co.uk Amnesty comisioned DarkFibre to write and direct a spot for cinema and on-line that highlights the illegal use of gas flares by Shell in the Niger Delta. The idea is simple, a girl talks about her life that has changed because of Shell, but we begin to surround her by the flames of a gas flare shot at 1000 frames per second. They start beautifull, but then become oppressive and suffocating. The air in the Delta stinks of petrol…
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Since Shell came to town, life has been hell in the Niger Delta. Find out more at www.amnesty.org.uk/shell
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SFMOGRAPH is a motion graphics user group I co-founded which meets at Adobe's San Francisco office every few months. This video is from our first meeting in March 2008. Two of the original CoSA After Effects team members, David Simons and Dan Wilk, take us on a trip down memory lane. Along with Dave and Dan, current Adobe After Effects Engineering Manager Chris Prosser rounds out the presentation. Unfortunately the audio is not too hot, especially…
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