During the month of May, I shot Milky Way timelapse in central South Dakota, when I had the time, and the weather cooperated. The biggest challenge was cloudy nights and the wind. There were very few nights, when I could shoot, that were perfectly clear, and often the wind was blowing 25mph +. That made it hard to get the shots I wanted. I kept most of the shots low to the ground, so the wind wouldn't catch the setup and cause camera shake, or blow…
During the month of May, I shot Milky Way timelapse in central South Dakota, when I had the time, and the weather cooperated. The biggest challenge was cloudy nights and the wind. There were very few nights, when I could shoot, that were perfectly clear, and often the wind was blowing 25mph +. That made it hard to get the shots I wanted. I kept most of the shots low to the ground, so the wind wouldn't catch the setup and cause camera shake, or blow…
This CARBON installation was presented in 2011 at the Sun Valley Center for the Arts in Idaho. The darkened exhibition space included a 6 x 12 foot suspended light panel array with recent color imagery made possible through the Guggenheim Fellowship. A rare fluorescent mineral specimen glows within the capsule, which was built from a salvaged piece of bio-tech equipment. I retro-fitted the capsule with shortwave ultra-violet lighting and motion sensor…
THE ELECTROSENSE OF PADDLEFISH:
a multimedia piece on Water in the American West
Charles Lindsay and David Rothenberg
Why did Floyd Dominy draw the instructions for how to blow up the Glen Canyon Dam on on a napkin? It was his greatest creation as director of the US Bureau of Land Management. What did he know about the evils of damming the West?
This is a short compilation from the premiere of a live performance interpreting the complex environmental,…
Thanks for all your amazing comments.
D.O.P: Richard Mountney
Lighting and Camera assistants:
Simon Mountney, Tom Mountney and Robin Mair
Film Excerpts and Music used under a strictly non-profit basis.
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