I've had a pre-production model of the new Sony NEX-FS700 to test for the past week. Here's my evaluation, complete with samples of the footage I shot. Enjoy.
Blackmagic Cinema Camera (MFT) w/Viewfactor Contineo Cage and Handle (Internal battery power)
SLRMagic HyperPRime 25/0.95
SLRMagic 12/1.6 REV.2
TIFFEn WW ND 1.2 (Daylight only)
F2 daylight (12/1.6) -- Wide open night (mostly)
RAW (One ProREs shot at 3:02)
ISO 800 (all)
VERY quick "color", Captain Hook's LUT: bmcuser.com/showthread.php?3390-My-BMDFilm-LUT
Audio - ARCADE HIGH - OUTRUN THIS!
Free download here: arcadehigh.bandcamp.com/track/outrun-this
Voigtlander and SLRmagic 25/0.95 comparison coming soon.
2:52 - Street lamp and strand lights from someone's yard, 800 ISO, 25/0.95 wide open. Pretty startling.
Very VERY happy with SLRmagic 12 and 25 HyperPrime on this camera. More soon!
So it's time to look at some footage from the Blackmagic Pocket Cinema Camera.
ADDED ** For ungraded look at vimeo.com/64944847
This footage was shot over about an hour at my local market on Sunday morning. So yeah, it's just home movies. I was literally grabbing shots where I could whilst I was shopping ! But, you do get to see what one man can do with a pocket cinema camera and a 12-35 Panasonic m4/3 zoom. I guess for those that like to shoot discretely, guerrilla or documentary style, this will give you a good sense of what you're going to get. The same great DR and look has been inherited from the BMCC.
All this footage was shot using the FILM look. I set my exposure by ETTR and using the 100% zebra to indicate clipping. I had IS on all the time. I had a Hoya ND16 on as well to keep me at a slightly nicer stop. I set the rear monitor to VIDEO and then used focus peaking all the time.
There are plans afoot to create something that's more *finished* in the way of demo footage in a more formal and drama / narrative style, but for now this should whet your appetite.
Its rough and ready, and really it was just something I threw together very quickly. Interestingly, I had one guy actually recognise that it was a BMCC pocket and several others stopped me to ask what the camera was !
I cut the footage using FCPx and used my colleague Captain Hook for the grade. He's made some fantastic LUT's for Resolve as donation-ware to make grading BMCC footage even easier. I encourage those of you who work with BMCC footage to check out these great LUT's. There's some great before and after examples there as well.