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Punks Jump Up feat Dave 1/Chromeo - Mr Overtime

by ChezEddy

Produced by ChezEddy www.twitter.com/chezeddy Directed by Maxime Bruneel www.twitter.com/maxbruneel Producers : Nicolas de Rosanbo www.twitter.com/nlpdr, Jean-Francois Bourrel The song is here : http://s.beatport.com/mrovertime http://bit.ly/MrOitunes Read the making of the project: http://chezeddy.com/en/blog/69/punks-jump-up-feat-dave-1-chromeo-mr-overtime-by-maxime-bruneel Full credits : Label : Moda Line Producer : Coline Six Post-Production : Anne-Lise Mallard - Steven Ligot CG Supervisor : Christophe Delamare CG Artists : Jérôme Auffret, Maxime Granger, Fred Morteyrol, Laurent Davené 2D Supervisor : Tina Dardenne 2D Artists : Mathieu Ratier, Grégory Jaillard, Jérémy Macedo, Alrik Blöm, Mathieu Babin et Philippe Valette Editing : Manuel Coutant (thanks @ChezLouis)

4

BORDERLANDS - Extended Demo

by Christopher Carlson

Demo video for the soon-to-be-released interactive granular sampler. More info here: http://www.modulationindex.com Original desktop version here: http://ccrma.stanford.edu/~carlsonc/256a/Borderlands/

4

Jay-Z & Kanye West-Niggas In Paris (Unofficial Music Video)

by Joseph Maruca

www.josephmaruca.com

4

unnamed soundsculpture

by Daniel Franke

Project by Daniel Franke & Cedric Kiefer produced by: www.onformative.com www.chopchop.cc Documentation: http://vimeo.com/38505448 Music: Machinefabriek "Kreukeltape" http://www.machinefabriek.nu/ The basic idea of the project is built upon the consideration of creating a moving sculpture from the recorded motion data of a real person. For our work we asked a dancer to visualize a musical piece (Kreukeltape by Machinenfabriek) as closely as possible by movements of her body. She was recorded by three depth cameras (Kinect), in which the intersection of the images was later put together to a three-dimensional volume (3d point cloud), so we were able to use the collected data throughout the further process. The three-dimensional image allowed us a completely free handling of the digital camera, without limitations of the perspective. The camera also reacts to the sound and supports the physical imitation of the musical piece by the performer. She moves to a noise…