A Glimpse of Hope

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    A very short promo for Deja Donne's "A Glimpse of Hope." Photographed and edited by: Dutch Rall A GLIMPSE OF HOPE Direction and choreography: Simone Sandroni & Lenka Flory Performers: Daria Menichetti / Italy Virginia Spallarossa / Italy Morena De Leonardis / Italy Eleonora Chiocchini / Italy Technique: Massimo Guarnotta / Italy Andrea Bartola / Italy Music dramaturgy: Luigi Ceccarelli / Italy Gaëtan van den Berg / Belgium Original

    # vimeo.com/1799118 Uploaded 4,029 Plays / / 1 Comment

  2. Single camera, condensed version of Deja Donne's A Glimpse of Hope dejadonne.com ------------------------------- - A GLIMPSE OF HOPE - - Direction - Simone Sandroni & Lenka Flory - Choreography - Simone Sandroni - Performers - Virginia Spallarossa Eleonora Chiocchini Daria Menichetti Morena de Leonardis Andrea Bartola Simone Sandroni - Music drammaturgy - Luigi Ceccarelli Gaëtan van den Berg - Original music - Luigi Ceccarelli - Set

    # vimeo.com/1980989 Uploaded 1,944 Plays / / 0 Comments

  3. Choreographer Simone Sandroni and performer Daria Menichetti discuss the process of creating Deja Donne's 'A Glimpse of Hope.' Produced, photographed and edited by Dutch Rall at Tanzhaus in Düsseldorf Germany Sept 2008 for iNCONTEXT.TV. Great thanks - Lenka Flory, Simone Sandroni, Daria Menichetti, Virginia Spallarossa, Morena De Leonardis, Eleonora Chiocchini, Massimo Guarnotta, Luigi Ceccarelli, and Andrea Bartola.

    # vimeo.com/1879939 Uploaded 2,074 Plays / / 0 Comments

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A Glimpse of Hope

Created by Deja Donne

A GLIMPSE OF HOPE...

We are living in times in which we must defend life from the brutality and obscurantism created by the conventions of a society that survives in the fear of losing material security which other societies cannot even dare to think of achieving.

We want to use the knowledge that we have acquired in all these years of impulsive theatre reasearch in order to create shows designed to give dignity to


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A GLIMPSE OF HOPE...

We are living in times in which we must defend life from the brutality and obscurantism created by the conventions of a society that survives in the fear of losing material security which other societies cannot even dare to think of achieving.

We want to use the knowledge that we have acquired in all these years of impulsive theatre reasearch in order to create shows designed to give dignity to those who are living through emergencies that are more dramatic than formalism.
We would like to work with people that consider the stage to be an opportunity and not a nice profession.

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