A video installation produced in collaboration with Hangar-- Centre de producció d'Arts Visuals in Barcelona and Dedale, Paris, commissioned by Dedale for MOB, a European cultural cooperation project dealing with mobility, art, new technologies and urban realities of today’s Europe, reflecting on how protesters and artists may better understand and deconstruct the syntax of demonstration slogans and actions. A performance based on creating lists of words and gestures remembered from participating in the 15 May movement protests and meetings in Barcelona.
A video installation produced in collaboration with Hangar-- Centre de producció d'Arts Visuals in Barcelona and Dedale, Paris, commissioned by Dedale for MOB, a European cultural cooperation project dealing with mobility, art, new technologies and urban realities of today’s Europe, reflecting on how protesters and artists may better understand and deconstruct the syntax of demonstration slogans and actions. A performance based on creating lists of words and gestures remembered from participating in the 15 May movement protests and meetings in Barcelona.
This interactive installation consists of various electrical elements, subverted and wired into a motion sensor to create autonomous drawing machines. The machines interact with whoever is present in the space. Scrawling, twitching and vibrating, the drawing machines move around the space to create a complex and layered visual record of this physical and temporal interaction of human activity in the space. As such, there is an awareness of the absence and presence of the body in her drawing, giving a sense of the movement and physicality of the making process.
The present composition is focused on the concept of language, primarily on it's written and oral form.
Every language, whether written or oral, contains symbols and its own distinctive sounds that distinguish it from others by providing a specific identity and hence uniqueness.
Syntax has the meaning of order and this order is dictated by the syntactic composition model adopted.
To order, therefore, different languages by means of a unique syntax of composition, paradoxically lead not only to a sort of hybridization but also to a highlighting of the different symbolic and sonorous variables of the individual languages involved.
In this regard, a poem has been translated into different languages and then has been processed using the same programming language, typical of Internet browsers, leading to build a horizontal babel with the vain purpose of standardize the comunication.
This construction is destined to collapse by the structure used as insufficient and inappropriate to the…
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