Video HD, 2009. Without duration, without beginning, without end. All floors are equidistant. The verticality of the architecture of the building is subverted by the experience of looking; by the horizontal motion. Being all floors equidistant from each other, the vertical movement couldn't be contained in the video, only if all floors coexist at the same level. On that lies the paradox image, the impossible situation. The frame is a prison for…
Video HD, 2009. Without duration, without beginning, without end. All floors are equidistant. The verticality of the architecture of the building is subverted by the experience of looking; by the horizontal motion. Being all floors equidistant from each other, the vertical movement couldn't be contained in the video, only if all floors coexist at the same level. On that lies the paradox image, the impossible situation. The frame is a prison for…
Video HD, 2009. Without duration, without beginning, without end. All floors are equidistant. The verticality of the architecture of the building is subverted by the experience of looking; by the horizontal motion. Being all floors equidistant from each other, the vertical movement couldn't be contained in the video, only if all floors coexist at the same level. On that lies the paradox image, the impossible situation. The frame is a prison for…
Video HD, 2009. Without duration, without beginning, without end. All floors are equidistant. The verticality of the architecture of the building is subverted by the experience of looking; by the horizontal motion. Being all floors equidistant from each other, the vertical movement couldn't be contained in the video, only if all floors coexist at the same level. On that lies the paradox image, the impossible situation. The frame is a prison for…
Mini-dv. 2006-07. A dead soviet ship in an old harbor on Recife, Brazil. Left since the 80’s, time has created a big sculpture about our times. The video is a struggle to move this big piece. The creation of new frames emphasizes the colors aspects of this historical form. The sound is a beating boat engine.
Um navio soviético morto no antigo porto de Recife. Abandonado desde os anos 80, o tempo criou uma grande escultura do nosso tempo. O video…
Mini-dv & VHS, 2008. First film from the trilogy “Terror of the form”. The favela architectural aspect is the form chosen, as it changes when day turns night. The visual threat from the informal architecture becomes a luminous constellation in the landscape. The relation between analog and digital video is the same in this film. The threat by the roughly VHS gives the Mini-dv a liquid aspect, as a new layer, worse to the form but alive as a material.…
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