1. CONDOR

    from carlos casas Plus

    00:00
    510

    Condor 08:24 Single Channel Loop projection Documentary Fieldwork, Screening format: DVD Shooting format: DVCAM Color Aspect ratio: 4:3 Camera Edit, with Ambient Sound and Radio Frequencies. Captured in location. Shortwave radio signals. KHz Range: 5000-8000 AM SW Edition of 3+2 © 2005 Carlos Casas

    # vimeo.com/38943611 Uploaded 25 Plays / / 0 Comments

  2. WHITE NIGHT

    from carlos casas Plus

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    229

    # vimeo.com/34202182 Uploaded 6 Plays / / 0 Comments

  3. POOL

    from carlos casas Plus

    00:00
    405

    POOL 07:00 Documentary Fieldwork, Screening format: DVD Shooting format: DVCAM Color Aspect ratio: 4:3 Camera Edit, with Ambient Sound and Radio Frequencies. Captured in location. Shortwave radio signals. KHz Range: 5000-8000 AM SW Shot on location in Tierra del Fuego, Patagonia, in 2002. © 2002 Carlos Casas

    # vimeo.com/38858093 Uploaded 13 Plays / / 0 Comments

  4. STABLE

    from carlos casas Plus

    00:00
    299

    Stable 04:30 Single Channel Loop projection Documentary Fieldwork, Screening format: DVD Shooting format: DVCAM Color Aspect ratio: 4:3 Captured in location with Ambient Sound. Edition of 3+2 © 2002 Carlos Casas

    # vimeo.com/38883271 Uploaded 8 Plays / / 0 Comments

  5. WHALE HUNT_excerpt

    from carlos casas Plus

    00:00
    319

    WHALE HUNT 56:00 Single channel/4 channel installation double sound system Screening format: DVD Shooting format: DVCAM Color Aspect ratio: 4:3 Shot on location along the coast of the Bering Sea, Lorino. Chukotka region, Northeastern Siberia , Russian Federation . Music by Phill Niblock. “One large Rose” with The Nelly Boyd Ensemble N 65˚29.534 W 171˚10.477 May. 2007 Edition of 2 © 2008 Carlos Casas

    # vimeo.com/38888784 Uploaded 5 Plays / / 0 Comments

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Fieldworks Archive

Created by carlos casas Plus

This selection of Fieldworks are part of an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes I have been developing since 2000, with this work I try to capture the atmospheric qualities of a landscape through visual and audio field recordings captured on location. Using image and sound asa sort of spatial instrument, I am interested in short waves signals and VLF, their atmospheric


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This selection of Fieldworks are part of an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes I have been developing since 2000, with this work I try to capture the atmospheric qualities of a landscape through visual and audio field recordings captured on location. Using image and sound asa sort of spatial instrument, I am interested in short waves signals and VLF, their atmospheric qualities and sound, capturing the radio waves in each of the landscape I portray, allows me to grasp another dimension of it.
A sort of enhanced perception. I am interested also in the asynchronous randomness of the relation between soundtrack and film. I see this work as a sort of post structural film, where documentary and experimental film manners meet

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