The Reels - The Official Demo Reel Channel on Vimeo

  1. A montage of films we have created with my commercial company the-delivery-men.com over the past year. We have been so blessed to create promo films for so many cool clients - Jumpshot, Hansar Hotels, City of Rio- Brazil, I/O Jeans, Red Bull, The Andy Roddick Foundation and more. Thanks for the great year and we can't wait to see what's in store for 2013!

    Song licensed at The Music Bed // bit.ly/n94IGC

    Thanks to these great companies for making things possible -
    - Kessler Crane - kesslercrane.com
    - Lens Pro To Go - lensprotogo.com
    - The Music bed - themusicbed.com

    # vimeo.com/57599268 Uploaded 20.5K Plays / / 29 Comments Watch in Couch Mode
  2. This is my DaVinci Resolve Demo Reel 2013. All Da Vinci Resolve Panel shot was done by myself. Phantom slowmotion shot are also done by me.
    More info here: remydevlieger.com/
    ---

    LOCATIONS:
    Paris

    DOP:
    Remy De Vlieger
    Johannes Dunan
    Mark L. Pederson
    Bryan Bowden
    Cassidy Bisher
    Jarred Land

    EDITOR:
    Rémy De Vlieger

    COLORIST:
    Remy De Vlieger

    EQUIPEMENTS:
    Camera: Blackmagic 2,5K Cinema Camera / Phantom HD Gold / Phantom Miro M120 / Canon 5DMKII
    Lens: CANON 17-40mm f/4, CANON 70-200 f/4 IS, CANON 24-105 f/4 IS, CANON 85 f/1,8
    Slider: KONOVA
    Sound: SEINHEISER K6 + ZOOM H4N

    More information:
    remydevlieger.com

    # vimeo.com/64255302 Uploaded 19.7K Plays / / 33 Comments Watch in Couch Mode
  3. We are a group of people for whom film is not a choice, its a mandate. We are of the Colorado Mountains. We aim only to connect emotionally with an audience. We defy conventions. We keep the process in house. We keep the team light, fast and agile. We use the best tools. We listen. We find the essence of the brand or subject. And we deliver more. forgemotionpictures.com

    All shots by Anson Fogel or Skip Armstrong as DP except:
    1:21, 2:43 Jason Dewey/Fogel co-DP
    1:33, 1:43 Carlos Veron DP, Fogel 1st AC/Operator
    1:39, 1:41 Wolfgang Held DP, Fogel 1st AC/Operator

    and in the documentary film segment:
    COLD - Directed by Anson Fogel, Cinematography by Cory Richards
    CHASING WATER - Directed by Pete McBride, Editing and Additional Cinematography Anson Fogel/Forge
    WILDWATER - Directed, shot and edited by Anson Fogel/Forge

    Thumbnail image by Cory Richards.
    Parkour shots created with Brian Bailey

    Thank you to all the crews, agencies, friends, clients and cast that make our work and lives so deeply satisfying.

    Music in order:
    Cloud Cult, Unexplainable Stories, buy here:
    itunes.apple.com/us/album/unexplainable-stories/id390954153?i=390954182

    Angels & Airwaves, Saturday Love, buy here:
    itunes.apple.com/us/album/saturday-love/id476319628?i=476319990

    Muse, Map Of The Problematique, buy here:
    itunes.apple.com/us/album/map-of-the-problematique/id317961661?i=317961667

    # vimeo.com/33036403 Uploaded 49.8K Plays / / 40 Comments Watch in Couch Mode
  4. # vimeo.com/56157756 Uploaded 9,874 Plays / / 0 Comments Watch in Couch Mode
  5. Equipment: RED EPIC, Phantom Flex, Phantom Gold, SmallHD DP6 & DP4

    For the past few years, SnapRoll Media has been at the forefront of remotely controlled aerial camera systems. Like most, we started out using DSLR cameras to record video, but it wasn’t long before the image quality wasn’t up to our standards. We began designing and building larger airframes to carry the weight of the cameras we and our clients wanted to use.

    Our hard work paid off. We were the first to successfully carry the RED ONE digital cinema camera safely and smoothly. Then, we added Vision Research’s Phantom Flex and Phantom Gold high speed cameras to our arsenal. Furthermore, we had the opportunity to be the first in the world to successfully fly the new RED EPIC on our proven remote controlled aerial system thanks to Jarred Land and Jim Jannard.

    We are constantly researching, developing, and fine tuning our helicopters to carry larger cameras with maximum stability. The greatest reward is seeing our clients' faces when we get the shot that no crane, cable cam, or full size helicopter was able to capture. 2012 will be full of incredible projects along with further R&D on bigger and better remotely controlled (RPV) aerial camera systems. Stay tuned!

    Edited By: Chris Murphy, Helio Collective (heliocollective.com)

    Music By: Awolnation - Sail

    Follow Snaproll on Twitter: @snaprollmedia
    Visit our website at: snaprollmedia.com

    # vimeo.com/35160025 Uploaded 747K Plays / / 243 Comments Watch in Couch Mode

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