What makes a great story? For legendary filmmaker Ken Burns, the answer is both complicated and personal. In this short documentary about the craft of storytelling, he explains his lifelong mission to wake the dead. Recently featured on The Atlantic. (theatlantic.com/video/archive/2012/05/ken-burns-on-story/257165/)
Directed by Tom Mason and Sarah Klein
Music by Ryan Sayward Whittier
Animation by Elliot Cowan
Transcript for Closed Captioning
Ken Burns On Story Transcription
You know the common story is one plus one equals two, we get it. But all stories are really, the real genuine stories, are about one and one equaling three. That’s what I’m interested in.
We live in a rational world where absolutely we’re certain that one and one equals two, and it does. But the things that matter most to us, some people call it love, some people call it God, some people call it reason, is that other thing where the whole is greater than the some of its parts, and that’s the three.
Oh great story, they are everywhere. There are millions of them! Abraham Lincoln wins the Civil War and then he decides he’s got enough time to go to the theater. That’s a good story. When Thomas Jefferson said we hold these truths to be self-evident, that all men are created equal, he owned a hundred human beings and never saw the hypocrisy, never saw the contradiction, and more important, never saw fit in his lifetime to free any one of them. That’s a good story. You know the stories that I like to tell are always interesting because the good guys have really serious flaws and the villains are very compelling. My interest is always in complicating things.
Jean Luc Goddard said cinema is truth 24 times a second. Maybe. It’s lying 24 times a second too, all the time, all story is manipulation. Is there acceptable manipulation? You bet. People say oh boy, I was so moved to tears in your film. That’s a good thing? That was, I manipulated that. That’s part of storytelling. I didn’t do it dis-genuinely, I did it sincerely, I am moved by that too, that’s manipulation. Truth is we hope a byproduct of the best of our stories and yet there are many, many different kinds of truths and an emotional truth is something that you have to build.
I made a film on baseball once and it seemed to me that there was a dilemma for the racist of what to do about Jackie Robinson. If you were a Brooklyn Dodger fan and you were a racist, what do you do when he arrives? You can quit baseball all together, you can change teams, or you can change. And I think that the kind of narrative that I subscribe trusts in the possibility that people could change. I hope it’s a positive version of manipulation, but I do think that we do coalesce around stories that seem transcendent.
I don’t know why I tell stories about history I mean there’s kind of classic dime-store Ken Burns wolf-at-the door things, my mother had cancer all of my life, she died when I was 11, there wasn’t a moment from when I was aware, two-and-a-half, three, that there was something dreadfully wrong in my life. It might be that what I’m engaged in, in a historical pursuit is a thin layer perhaps thickly disguised waking of the dead, that I try to make Abraham Lincoln and Jackie Robinson and Louis Armstrong come alive and it maybe very obvious and very close to home who I’m actually trying to wake up. We have to keep the wolf from the door, you know, we tell stories to continue ourselves. We all think an exception is going to be made in our case and we’re going to live forever, and being a human is actually arriving at the understanding that that’s not going to be, story is there to just remind us that it’s just okay.
For many, a bowl of rice is a simple trip to the supermarket. Rarely do we think about the production of our food. The documentary shows a typical day in the life of a rice farmer and the laborious process of rice farming. You can see how well-connected the whole system is and the number of parties involved in farming rice. The way in which the farmer gently treats his animals illustrates the importance of every single life and how it is part of a greater system. From cultivation to sale the visuals give you a sense of the strenuous, manual and monotonous work in the rice paddies. Every action has an intention – the self-grown rice is used to feed the fishes, which will be caught and cooked for dinner. Every step and actor in the process is part of an efficient, self-sustaining system.
The simplicity of the video appeals to your senses and gives the viewer a real understanding of these conditions. You are transported into another world by listening to the original sounds. Commentary or music are not necessary to complete the documentary. This is not only a video, it‘s an experience!
camera: alexander baumgartner
sound: isabelle baumgartner
film editing: alexander baumgartner
sound design: ferdinand feifel
special thanks to:
the family barque
don bosco foundation for sustainable development
This is an inside look into the world of Joe Gallagher who many describe as the best professional boxing trainer in Britain - and his stable of talented fighters.
No script, no re-takes, just real life inside one of the most successful gyms in British boxing history.
Thank you to Gloves Community Centre, Total Fitness in Bolton & Team Khan - and of course to Joe and his fighters for allowing this film to happen.
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The song that carries the film was recorded live on location in El Salvador. After being woken up at 5am by a marching band through town, we frantically gathered our gear and chased down the parade to witness possibly the most beautiful community wide funeral for an elder that had died the night before. An event that will stick with me for the rest of my life.
Out on Long Island's North Fork an environmentally friendly winery is taking a big leap. Shinn Estate Vineyard has recently applied for its Organic Certification, which when received will make Shinn the first organic winery on the East coast.
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please check out our series about 9 bi-lateral research projects facing real world problems in africa, asia and south america: vimeo.com/channels/megacities
we produced the web series, which is actually only available via vimeo, within 9 month, a modest budget and met hundreds of inspiring people who truly change the world. Last weekend started the festival tour by attending the Think Forward Film Festival in Venice. More festival attendances in 2014!
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Hyderabad, India vimeo.com/71876795
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Urumqi, China vimeo.com/71876794
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Johannesburg, Africa vimeo.com/71936128
Tehran-Karaj, Iran vimeo.com/71936129
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