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  1. I drove to Crater Lake National Park on the night of May 31, 2013 to photograph the Milky Way rising above the rim. I’ve waited months for the roads to open and spring storms to pass, so I could spend a solitude night with the stars. Near 11pm, I was staring upward towards a clear night sky when suddenly, without warning, an unmistakable faint glow of the aurora borealis began erupting in front of me. I quickly packed up my gear, hiked down to my truck, and sped to a north facing location. With adrenaline pumping, I raced to the edge of the caldera, set up a time-lapse sequence, and watched the northern lights dance until sunrise. The moon rose around 2am and blanketed the surrounding landscape with a faint glow, adding depth and texture to the shot. The last image in the sequence above shows the route of the International Space Station (ISS) which flew over at 2:35am.

    Available in 4K. Visit for more info.

    See more images at

    Music composed by Ben Beiny entitled, “The Right Moment”

    Follow me:

    No motion control systems were used during the production of this time-lapse. We are actively seeking various marketing partnerships to strategically promote and develop, specialized photography equipment used in the field. If you are interested in soliciting your product with Goldpaint Photography, please contact us at

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  2. Film by Ian Cresswell

    Music: M83 "Lower Your Eyelids to Die with the Sun"
    Availability online is only as part of full album download:
    or physical CD

    This was filmed during my stay on Kauai (and one day on Oahu) from May 1st to May 14th in 2013. It was shot with a Blackmagic cinema camera and primarily a Sigma 8-16mm lens (a few scenes are shot with canon 16-35L, 24-105L, or 70-200L). I used a Glidecam HD-2000 to get the moving shots and a Konova slider for the sliding shots.

    I filmed in raw mode (which took up about 500GB of space per 30 minutes filmed), graded it with Adobe Lightroom, and edited in Premiere. I decided not to tweak the footage very much. The grade is my attempt at making each scene look exactly how it did to my eye the day I shot it. I didn't add a whole lot of contrast or effects to try to spice things up. I wanted to leave the maximum amount of detail and information in the highlights and the shadows to really show the full dynamic range of each scene, which is how you would see it with your eyes in real life.

    Ian Cresswell © 2013

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  3. If you want to license this footage, it´s available in super sharp 4k at my store:
    Or you can shoot me an email:

    Rome is a city where you can enjoy the legacy of a nearly forgotten civilization. Even today we can feel the greatness of an empire that conquered, then brought it's art and engineering to half of the world.

    In Urbs Aeterna, Enrique Pacheco uses time-lapse technique to show us the extraordinary achievements of the Roman architecture and the ruins of some of the most emblematic buildings of the city.

    Shot with Sony a99, Zeiss lenses and slider Kietacam X-lidercam M.


    Roma es una ciudad donde disfrutar del legado de una civilización ya casi olvidada. En Roma podemos sentir, aún hoy, la grandiosidad de un imperio que conquistó medio mundo, llevando su arte e ingeniería hasta el último rincón del mismo.

    En Urbs Aeterna, Enrique Pacheco utiliza la técnica de Time-lapse para mostrarnos los mayores logros de la arquitectura romana, así como las ruinas de algunos de los edificios más emblemáticos de la ciudad.

    Grabado con Sony a99, ópticas Zeiss y slider Kietacam X-lidercam M.

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  4. "Chicken or the Egg" is an offbeat romantic comedy about a pig who has an EGGdiction to eating eggs. But when he falls in love with the hottest chicken in town, he must choose what comes first... the Chicken or the Egg.

    A student animated short film by Christine Kim ( and Elaine Wu ( from Ringling College of Art and Design.

    Special thanks to our composer Laurent Courbier ( and our sound designer Mutante Media (!

    &for more stuff about the film, please visit

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  5. Life and Freaky Times of Uncle Luke
    by Jillian Mayer and Lucas Leyva

    Buy Pieces of the Set:
    Read more about the film here:

    This film is part of the permanent collection at the Miami Art Museum. After premiering at Sundance in 2012, it went on to play several dozen other international festivals, including SXSW, BAMcinemafest, Los Angeles, Milan, AFI, and Maryland. Now it is yours to share!

    “Uncle Luke is an incredibly original film, both in terms of its tone and the technique of its storytelling… Uncle Luke really taps into the popular culture of a specific generation, and it has a very healthy disrespect for convention and authority.” - Sundance Programmer

    “Life and Freaky Times of Uncle Luke is undeniably entertaining, whether you get the cultural references or not. It is a smart and intricately self-reflexive example of what cultural theorist Jim Collins has called ‘the perpetual circulation and recirculation of signs that form the fabric of postmodern cultural life.’ Mayer and her collaborator are quintessential bricoleurs. In Uncle Luke, street-credible slang and classic booty beats reconstruct a landmark of film history. High and low, art and entertainment, fiction and reality become multiple facets of an intellectually-integrated work that specifically depends on cultural quotation. The parallels are both narrative and structural. Whereas La Jetee is constructed from stills, referencing the psychological relationship between photography and memory, Uncle Luke draws from the nostalgia power of Mayer’s two dimensional boards.” - Art Papers review

    Life and Freaky Times of Uncle Luke
    (Inspired by 'La Jetee' by Chris Marker)
    Borscht Corp. and Rakontur Present
    a film by Mayer\Leyva
    Director/ Designer/ Producer: Jillian Mayer
    Screenplay/ Co-Director/ Editor/ Producer: Lucas Leyva
    Executive Producer: Evan Rosenfeld
    Co-Executive Producer: Andrew Hevia, Dennis Scholl
    Co-Producer: Nick Orsini
    Associate Producer: Fro Rojas, Evrim Oralkan
    Starring Luther Campbell as Uncle Luke
    Scientists: Carlos Rigau, Eric Cade Shoenborn
    Eliza: Elizabeth Sky
    Mutants: Sterling Rook, Rob Maya, Shira Abergel, Nick Ducassi, Sasha Buttboy, Orlando Estrada, Maurice Pierre
    Girls in White: Mabel Gonzalez, Lana Melisso, Shira Abergel, Taryn Lombardi
    Clown: Ana Trevino
    Judge: Richard Freedberg
    Reporter: Jennifer Lopez
    Bus Driver: Jillian Mayer
    Bus Rider: Shira Abergel
    Album Buttocks: Candy Molina, Ella Pia, Meho Latrina, Nancy Trevino
    2 Live Crew: Julian Yuri Rodriguez, Lucas Leyva, Sylvester the Kat Man, Ella Pia
    Stank Lady: Judy Freedberg
    Stank People: Nick Ducassi, Julian Yuri Rodriguez, Jessica Gross
    Stunt Doubles: Maurice Pierre, Sterling Rook
    Director of Photography: Jonthan David Kane
    Assistant Camera: Juan Camilo Barriga
    Gaffer: Roberto Gonzalez
    Boom Operator: Tim Roach
    Post Audio: Cory Czjakowski, Diego Meza Valdes
    Colorist: Oscar Martinez
    Art Coordinator: Orlando Estrada
    Project Coordinator: Ana Trevino
    Art Department: Kayla de la Cerda, Taryn Devereux, Jack Elder, Julian Yuri Rodriguez, Sterling Rook, Madee Kuhn, Gabriel Rhenals, Oly Vargas, Inez Suen, Layla Bessiso, Rob Maya, Destin Jones, Zach Bagnell
    Carpenter: Bill Landis
    Make-Up: Giselle Mendez
    Special Thanks: Billy Corben, Alfred Spellman, Borscht Film Festival, New Art Miami, Nadia Bowen, Shivers, Canvas Lifestyle, HBKZ/Sesion31, Karelle Levy, Booty Bass, The Internet, David Castillo Gallery, Luther Campbell for Miami-Dade Mayor Campaign
    Made possible by a Knight Arts Challenge Grant from the John S. and James L. Knight Foundation
    Commissioned by Borscht Corp.
    Miami, FL, USA 2011
    Stay Freaky Ya'll
    (c) Mayer\Leyva

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