Excerpts from live performances at the Music in Architecture - Architecture in Music (MIA-AIM) Symposium, held 19-22 October, 2011 on the campus of the University of Texas at Austin. Organized and funded by the Center for American Architecture and Design (CAAD), The Sarah and Ernest Butler School of Music, the School of Architecture, and the College of Fine Arts. For more information about the event, visit http://soa.utexas.edu/caad/mia-aim.
Excerpts from live performances at the Music in Architecture - Architecture in Music (MIA-AIM) Symposium, held 19-22 October, 2011 on the campus of the University of Texas at Austin. Organized and funded by the Center for American Architecture and Design (CAAD), The Sarah and Ernest Butler School of Music, the School of Architecture, and the College of Fine Arts. For more information about the event, visit http://soa.utexas.edu/caad/mia-aim.
Andie Springer, violin
Francesca Anderegg, violin
Sarah Lemons, viola
Rose Bellini, cello
Recorded live Sept. 25, 2009 at Pixilerations Festival, Providence, RI
More info:
www.andiespringer.com
http://francescaanderegg.com/
www.rosebellini.com
www.pixilerations.org
www.kirstenvolness.com
Lauretta Pope, voice
Kirsten Volness, piano
Jacob Richman, bass
Bill Solomon, percussion
Recorded live January 11, 2012 at Sleeping Weazel Inaugural Party and Performance Mix, The Factory Theatre, Boston, MA.
Text is adaptation from traditional American murder ballad text and 1873 article, "The Confession of Lydia Sherman"
www.sleepingweazel.com
www.kirstenvolness.com
www.jacob-richman.com
http://exilkabarett.blogspot.com
Mercy Brown and the Devil's Footprint
by Awesome Collective (http://www.awesome-collective.com/)
September 16, 2011 performance
South Main St. Memorial Park
Providence, Rhode Island
Is the Brown family being torn asunder by a plague of tuberculosis or by the evil thirst of a vampire? In an interstate chase, can a Native American woman elude the Devil's grasp? Find out in Awesome Collective’s Mercy Brown and the Devil's Footprint, a traveling multimedia performance that intertwines and explores these two mysterious and New England-based folktales using theatre, live music, dance and puppetry.
Kolot Ensemble
Véronique Mathieu, violin
Jung-Min Shin, viola
Yotam Baruch, cello
Yael Manor, piano
Recorded live June 19, 2009 at the American Composers Alliance Summer Festival, Symphony Space, NYC.
more info:
www.kolot-ensemble.com
http://composers.com/
www.kirstenvolness.com
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