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Invisible Cities at KC Belgie

by MahaWorks

Unsurrounded VI: Invisible Cities Audrey Lauro ≠ alt sax Maja Jantar != polyphonic voice Lazara Rosell Albear ≤ drums Live manipulation of visuals shooted in London, La Habana, Tokyo, Kyoto, Palestina, Malmo, Menorca o.a KC Belgie, Hasselt 17/12/2011 Thanks to Robert Piccart Find more info about the project at http://www.mahaworks.org/mahapix/index.php?/trips/invisible-cities/ © 2012 MahaWorks

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Invisible Cities plays Droknoblac

by MahaWorks

Invisible Cities Audrey Lauro ≠ alt sax Maja Jantar != polysonic voice Lazara Rosell Albear ≤ drums at De Lading curated by Lieven Cateau www.strictlyrabbit.be October 2011 Wetteren Belgium The project spotlights the work of 31 visual artist and 14 performers curated by Lieven Cateux. The location is an abandoned textile factory transformed into a free space for artistic research during a period of 5 month. Artists: Hallveig Agustsdottir, Oshin Albrecht, Michiel Bolliou & Laurence Verdruye, Sara Bomans, Arnaud Coolsaet, Wouter Cox & Xavier Catry, Wouter De Corte, Bert De Geyter, Jan Dekeyser, Ken De Vylder, Wim De Waegeneer, Bart Dhaluin, Johan Gelper, Tessa Groenewoud, Erin Helsen, Roeland Huys, Bas Ketelaars, Niels Ketelers, Thanh Long Lam, Melissa Mabesoone, Eleni Paschalidis, Lore Rabaut & Frank Depoorter, Remco Roes, Meggy Rustamova, Kato Six, Hannelore Van Dijck, Kristof Van Heeschvelde, Simon Van Parys, Nicoline Van Stapele, Sofie Vrancken, Arjen Verswijvelt, Lieven…

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Transsonic Knocking Down meets Invisible Cities

by MahaWorks

Transsonic Knocking Down meets Invisible Cities part I Strike Interference >>> element missing Ultraterrestrial: electronics Maja Jantar: voice Lazara Rosell Albear: performance lights of life wearables: Vladimir Kaigodorov uSEum Ghent, Belgium 20 december 2011

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Jørgen Teller & The Empty Stairs ft. Lazara Rosell Albear

by MahaWorks

Jorgen Teller: electric guitar, voice Tobias Kirstein: drums Søren Gorm: electric bass Lazara Rosell Albear: drums, pocket trumpet, voice KIHOSKH, Kobenhavn - DK September 2011 Part 3 Thanks to Guðrún Gísladóttir