Installation and video Heiko Daxl, sound Merzbow a.k.a. Masami Akita, Montagsmusik Podewil, Berlin 1999; Media-Scape 7, Museum of Contemporary Art, Zagreb 1999
Monitors are piled up - tilted and upside down - as an unreguralary heap. The images consist of text fragments, basic graphical elements and technical distortions, edited extremely fast as a pulsating overflow of colours and forms. The music uses feedbacks, low vibrations, high peaks, noise and staccato rhythms.
"The Result is a 25 heavy cuts per second purgatory. Earplugs and shades could be useful." (Eystra Salt ´99, Stockholm)
Installation and video Heiko Daxl, sound Merzbow a.k.a. Masami Akita, Montagsmusik Podewil, Berlin 1999; Media-Scape 7, Museum of Contemporary Art, Zagreb 1999
Monitors are piled up - tilted and upside down - as an unreguralary heap. The images consist of text fragments, basic graphical elements and technical distortions, edited extremely fast as a pulsating overflow of colours and forms. The music uses feedbacks, low vibrations, high peaks, noise and staccato rhythms.
"The Result is a 25 heavy cuts per second purgatory. Earplugs and shades could be useful." (Eystra Salt ´99, Stockholm)
Performance by Maren Strack - maren-strack.de
Video by Ingeborg Fülepp & Heiko Daxl - mediainmotion.de 2008
"When I was four years old, my father fixed huge back wheels on to my go-cart, all the while explaining how gears work.This application of physics allowed me to move faster and more elegantly in my vehicle. Playing with physics has interested me ever since. Torque, change in the gear ratio, leverage, sonic boom.
For every performance I develop a new (movement) technique. I am part of a physical experiment, a test arrangement. I am
also the moving element in the test arrangement, its motor. I get materials to break, stretch, screech, smash In the moving image everything springs apart. Material, apparatus, body, movement and sound react to one another and are mutually dependent. One cannot occur without the other. If the image and experiment work, I find dancing easy."
Maren Strack
"Fight against Physic - Performance Artist Maren Strack"
When Rapunzel and Rumpelstiltskin fell under…
Deutschland / Germany 1999
Video für Bühne / Video for Stage-Performance, 10:00
Heiko Daxl und Ingeborg Fülepp
Musik / Music: Boris Hegenbart
Musiker / musicians: Zeitkratzer Ensemble
The music of Boris Hegenbart is dealing with basic electronic signals.
The images of the video installation are based on the white-noise video signal. The two elements (music and video) are fighting permanently with each other during the performance. But in some moments they are in synchronicity. The video images from 4 different
parallel sources are distributed on sixteen monitors. This performance is a combination of rhythms of music with the rhythms of images by using the purest abstraction of the electronic signal in movement.
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Die Musik von Boris Hegenbart baut sich aus einfachen elektronischen Signalen auf, die im Video durch die Verwendung und Bearbeitung des “Weißen Rauschens” (Null-Bildsignal) wiederspiegeln.
Musik und Bild stehen in einem permanenten Spannungsverhältnis und scheinen…
Video and sound Heiko Daxl and Ingeborg Fülepp, production media in motion Berlin and Freunde Aktueller Kunst Zwickau, 2001
A cloak-room with lockers.
The doors of the wardrobes open and close in changing rhythms and produce an audio-visual pattern, which usually can not be experienced in such a space.
Door open / door closed - an orchestration for lockers.
Deutschland / Germany 2000, Live-Video-Mix für Konzert / Live-Video-Mix for Concert
Heiko Daxl, Ingeborg Fülepp, Lillevän
4-Kanal-Video für 4 Videoprojektionen
4-Channel-Video for 4 Video-Projections
Musik / Music: Masami Akita (Merzbow), Zbigniew Karkowsky, Koji Marutani, Carsten Nicolai, Shunichiro Okada, Elliot Sharp
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