Insomnia is a festival for innovative electronic music. The creative process within the genre is as varied as the music itself, and the festival hopes to sample a variety of it. The Festival also combines new innovative music with new technology and design through public seminars during the festival. It all shapes through live concerts, dj/club events, seminar, exhibitions, performance, installations and debates. Their venues vary from Tromsø's beautiful old cinema, Verdensteatret and the student house Driv witch used to be the old youth house Brygga where artists like Bel Canto, Röyksopp and Rune Lindbæk started their career.
The festival has its base in Tromsø as the city was Norway’s capitol of house and techno when the genre emerged. Insomnia Festival runs as a non-profit event, with our main goal to create an artistic melting point and an important platform for innovative artists above the arctic circle.
This sponsor reel was completed by Corgan MediaLab, corganmedialab.com at no charge, for the AICP Southwest Awards. This national program honors the best commercials produced throughout the past year, and celebrates "The Art and Technique of the American Commercial." The show travels across the US, and appeared October 21st in Dallas - the Southwest region.
Great things were made possible by the gracious loan of Prime lenses from MPS, mpsfilms.com, a mesmerizing custom music bed from Listening Chair, listeningchair.com Thanks to all those who donated their time to complete this reel.
After a long long wait, here you have finally the amazing Titles for OFFF Paris 2010 by The Mill.
Hope you love them as much as we do.
The Mill NY
Jeff Stevens - Design Director
Kim Dulaney - Designer
Rob Petrie - CG Lead
Boo Wong - Senior Producer
Moss Levenson – Editor
Fall on Your Sword – Music
Henryboy – Sound Design
Weston Fonger – Sound Mix
Role: Art Direction, Design, Animation, Compositing
Date: February 2010
Format: Short Film 1024*576 Widescreen Pal
Sound: ECHOLAB Gavin Little
Nokta . (Dot .) is an abstract short film project which is an improvisation of organic pieces and themes like power, control and luck. Using low-budget equipment and with the combination of actual camera shooting, 2d and 3d animation techniques, the film alters the reality and physics of the real world with the help of the liquid and dynamic simulations’ impact.
Even though the film is not produced according to the base of Amos Funkenstein’s text on harmony, but the text is a convenient statement for the stylistic and representational behaviour of the film.
'I see some correspondence between the foundation of universal harmony on elliptical orbit and the predilection for the elliptic forms in Baroque architecture. In both cases harmony is still defined as unity within multiplicity, but it ceased to be static, namely, harmony expressed in one ideal geometrical form, and became so to speak dynamic. What was previously regarded as the deviation from the ideal form, was comprehended for the first time as an integral part of the form, or form of forms, which are capable of endless transitions one into another. ' [Amos Funkenstein, The Dialectical Preparation of Scientific Revolutions. On the Role of Hypothetical Reasoning in the Emergence of Copernican Astronomy and Galilean Mechanics.]