SUPERCARRÉ explore l'insoluble quête de la quadrature du cercle et cherche à déjouer le système perceptif afin de produire une expérience singulière entre le spectateur et l’oeuvre. À l’extrémité d’un tunnel en miroir, un écran diffuse une image carré dont la réverbération produit l’illusion d’une sphère en trois dimensions constituée de répliques de cette même image. 3 écrans sont placé derrière les spectateurs qui regardent à l'intérieur de Supercarré pour amplifier l'effet de réflexion et d"immersion face à l'oeuvre. Bien sûr un peu de fumée d'ambiance et un système de son viennent compléter l'expérience.
Supercarré à Mutek Mexico est rendu possible grâce à la contribution de Sony, Cocolab et Damian Romero.
a light installation presented at the Factory Light Festival in Slemmestad in september 2014. Spin is a further development of an installation from 2009, aka blinkblink, previously presented at HKS in Bergen and the Club Transmediale exhibition in Berlin.
LSP is a research trajectory exploring compositional relationships between sound, space, light and color. Lissajous figures form the starting point for the developed relations between sound and visual shape. By combining laser light and fog it becomes possible to project in space, instead of on a surface. The result is an environment where the audience is standing inside the work. It's a true sensory experience in which it's difficult to make a separation between the experience of the work and the work itself. The work LSP - alveole 14 is one of the results from the LSP research trajectory.
Commissioned by the Lapsus Festival, we created a light scenography using motorized light beams, stroboscopes and RGB Par Led Fixtures.
Between the different concerts held at the festival, a sound & light interlude was done. Parameters of movement for light and color were used also for electronic music control, giving as a result a tightly linked sound & light experience.
A study to artificially create beautiful smooth movements of nature. I was inspired by a swimming sea lion and developed the study via making structures that reproduce similar moves.
I discovered that when connected continuous structure of flexible material is added pressure, it will create time lag in conduction. Although the hard structure, it can bear external force and also have a smooth texture. By attaching the ovals, the form completes and give organic impression.
Various applications are thinkable by adjusting material, thickness, space, and place of shaft, based on the principle of structure. I made a flight vehicle that swims around air like a sea lion swimming in water.
This structure dialogs with surrounding. Biomimetic artifacts may change how human are involved in nature.