1. This effect was achieved using the Milo with Titan Arm motion control rig provided by Mr Moco Rentals. Because of the precise nature of the move required to enable the fold effect, the camera move was prevized in Maya, then imported to the rig operated by Ian Menzies. Using the telescopic Titan arm gave us the ability to get the highest reach possible and use very little track, which was of great benefit for shooting at the allotment and at the pool.

    mrmocorentals.com/equipment/titan-arm/
    manvsmachine.co.uk/projects/project/4seven#

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  2. "Working with Stink UK and Director Adam Berg, Let's Colour was shot over five weeks and took us to four continents. The shoot started in Lapa, Rio de Janeiro, Brazil and ended in Jodhpur, Rajasthan, India with a couple of days in Paris and London in between. In Rio and Jodhpur Stink UK required a light weight system with pan tilt and tracking of up to 30m that could be checked in as luggage and flown to these locations with the crew. We customed a rig with the Ulti-Head on track with a belt system that would allow the rig to run on standard dolly rail. In Paris and London the Talos was used with 21m of track. For fill in and multiple viewpoints we used the SFH-30 with DSLR cameras.

    Most of the shooting was done using ten or twenty second exposures shooting preplanned moves, with the Arri 435. For the variable speed moves we ramped the camera using the features in Flair from these low frame rates up to 25 fps as part of the move."

    mrmocorentals.com/equipment/talos/
    mrmocorentals.com/equipment/sfh-30/

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  3. This was shot over two days with two Modula Bases with Ulti-Heads set up in separate stages next door to each other. 18 sets were dressed and shot over the two days. The moco rig was used for the same speed into each set with a fast zoom at the end. This was all shot on the RED Epic.

    mrmocorentals.com/equipment/ulti-head/
    mrmocorentals.com/equipment/modula/

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  4. The shoot was done using a Swiss-Rig stereo system carrying 2x F23 Sony cameras on a Milo. Although the scene looks like New York, it was actually all filmed in Sofia Bulgaria, at a studio back lot. The basic premise for the commercial is that a man shows his friends his New York pictures and they walk around in the scene, frozen time. The water in the scene is also standing, frozen, but when one friend asks if the camera can shoot video too, everything starts to come to life.

    mrmocorentals.com/equipment/milo/

    # vimeo.com/51213982 Uploaded 158 Plays / / 0 Comments Watch in Couch Mode

  5. This was shot over two days with two Modula Bases with Ulti-Heads set up in separate stages next door to each other. 18 sets were dressed and shot over the two days. The moco rig was used for the same speed into each set with a fast zoom at the end. This was all shot on the RED Epic.

    mrmocorentals.com/equipment/ulti-head/
    mrmocorentals.com/equipment/modula/

    # vimeo.com/51213981 Uploaded 69 Plays / / 0 Comments Watch in Couch Mode

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MrMoco Rentals Plus

A selection of our work created using Mark Roberts Motion Control Rigs & Heads supplied by MrMoco Rentals.

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