Extract of screening at Scooterworks, London march 2008,
of a film by Britt Hatzius with live reactive sound by Ollie Bown.
not-applicable.org
britthatzius.co.uk
icarus.nu
Extract of screening at Scooterworks, London march 2008,
of a film by Britt Hatzius with live reactive sound by Ollie Bown.
not-applicable.org
britthatzius.co.uk
icarus.nu
The content of this film was created by unrolling an entire reel of unexposed black and white 16mm film, packing it into a sieve in the dark and exposing it with a flash gun. The colour footage was derived in a slightly different way, using a pinhole camera instead of a sieve and exposing the film to light in central London.
A film by Daniel Clift, music by Icarus.
www.not-applicable.org
www.icarus.nu
directed by Candas Sisman - http://csismn.com
soundtrack by Isambard Khroustaliov
you can look the interview about edicisum from here http://middlemindproject.com/?p=431
http://www.not-applicable.org/?page_id=6
http://www.not-applicable.org/
http://www.differance.org/
'Traum' enters the derelict landscape of the Lee Valley, London, UK, the site of the 2012 Olympics. Cut to a complex score by Isambard Khroustaliov the film proposes a way of looking through the surface of banal things to find new and surprising territories.
Music by Isambard Khroustaliov, film by Martin Hampton.
Made as part as part of the Not-Applicable project. 2008.
http://www.not-applicable.org/
http://www.differance.org/
The film takes its narrative from a real community of previously domestic parakeets released into the wild in the suburbs of west London.
This community of birds has been growing exponentially since their release in unknown circumstances (the subject of much speculation) in the mid 80s. Now this tropical bird is more common than native blackbirds or sparrows.
The film imagines a future scenario where the parakeets become as prolific in parts of…
Giving oneself up to gadfly distractions. Thus: a changeable person, one not to be trusted.
A film by Yannig Willmann, sound and music by Isambard Khroustaliov.
www.not-applicable.org
www.willm.org
Filmed by mounting a CCTV camera on top of a 10m tall window cleaning pole, we trace the path of our protagonist on foot and by car through London.
A film by Laurent Duriaud, music by Icarus
www.not-applicable.org
www.icarus.nu
83 tons per hour is roughly the amount of fish that passes through Tsukiji fish market in Tokyo, Japan.
A film by Alice Scott, sound and music by Isambard Khroustaliov.
www.not-applicable.org
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