2010 Superbowl spot.
Directed by Carl Erik Rinsch
Major Beauty work and design matching of the giant toys.
Done at Asylum VFx, Santa Monica, Ca. January 2010.
Music : : "How you like me now ?" by The Heavy.
2010 Superbowl spot.
Directed by Carl Erik Rinsch
Major Beauty work and design matching of the giant toys.
Done at Asylum VFx, Santa Monica, Ca. January 2010.
Music : : "How you like me now ?" by The Heavy.
2011 Cannes Silver Lion for "Special Effects and Computer Graphics"
On-set and Compositing Supervisor.
Flame compositing of the first two Mini shots as well as the flying sequence and packshot.
Finalisation on Flame at Sway Studio, Culver City in June through August 2010
Directed by Brian Beletic
CLIENT: MINI/BMW Group
Head of global advertising and social media: Robert Gocke
Global advertising: Piera Kaempf
ADVERTISING AGENCY: BSUR Amsterdam / Netherlands
Creative Director: Jason Schragger
Creative Director: Paulo Martins
Copywriter: Gian Carlo Lanfranco
Art Director: Rolando Cordova
Account Supervisor: Mia Drexl-Schegg
Account Executive: Thijs van Dam
Planning Supervisor: Stein Janssen
Agency Producer: Corey Bartha
PRODUCTION COMPANY: Smuggler / Hollywood, CA
Director: Brian Beletic
Partner & Executive Producer: Brian Carmody
Partner & Executive Producer: Patrick Millingsmith
Chief Operating Officer/EP: Lisa Rich
Head Of Production: Laura Thoel
Line Producer: Tim Kerrison
Post Producer:…
Replaced the cars with the Canadian 4 doors version in the first and last shot, as well as the "cloth" one and the dashboard interiors.
Done at Sway Studio, Culver City, in April 2010.
Client: Ford
Agency: Ogilvy, London
Production Company: Outsider
Director: Scott Lyon
Executive Creative Director: Canilla Herbstein
Creative: Andy Bird
Creative: Sue Higgs
DoP: Steve Chivers
Agency Producer: Kim Parrett
Editor: Art Jones, Work
VFX : The Mill
VFX for Canada : Sway Studio
Cg Supervisor/Lead 3D Artist : Art Sayan
Compositing Supervisor/Sr Flame Artist : Pilon Lectez
Music : “The Mole Man” by Schwab
In charge of digital wings, broken window and major beauty work.
Done at MotherShip/Digital Domain, Venice Ca in May 2010.
Production Company: Mothership / Venice, CA
Director: Robert Hales
Director or Photography: Max Goldman
Executive Producer: Tanya Cohen
EP, Head of Production: Karen Anderson
President of Commercials, Executive Producer: Ed Ulbrich
Visual Effects Supervisor: Jay Barton
CG Supervisor: Tim Jones
VFX Producer: Chris Fieldhouse
VFX Coordinator: Stephanie Escobar
Flame Artist: Pilon Lectez
Flame Artist: Rob Winfield
Digital Artist: Tim Ranck
Rigger: Derek Crosby
Rigger: George Saavedra
Roto Artist: Hilery Johnson Copeland
On Set Tracker: Jesse James Chishol
Integration Tracker: Scott Edelstein
Editorial House: Borrowed Tune Inc. / Hermosa Beach, CA
Editor: Tim Wheeler
Sound House Design: Jonathan Miller / Venice, CA
Sound Designer: Jonathan Miller
On set green screen shoot Supervision. Filmed the high speed Weiss camera at 600 frames/second.
Directed by Norry Niven
Visual Effects: Sway Studio:
Creative Director/VFX Supervisor: Mark Glaser
Executive Producer: Jason Cohon
VFX Producer: Les G. Jones
On set green screen supervision : Stephan "Pilon" Lectez
VFX Coordinator: Andrew Gilson
3D Layout, Modeling and Animation: Scott McNeff
3D Lighting, Texturing, Rendering: Erick Schiele
Compositing Supervisor: Marguerite Cargill
Flame Artist: Elad Offer
Flame Artist: Kevin Prendiville
Flame Artist: Tim Bird
Flame Artist: Brad Scott
Nuke Artist: Olivier Sarda
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