Special thanks to Sean Rawls for making such amazing footage available.
Shot on the RED One. 2K - Build 16.
Edited natively in FCP - transferred to Color, color graded in Color. Out of Color as 1024x512 dpx sequences. Retiming done in Shake on the DPX image sequences. Rendered out of Shake into Apple ProRes (HQ) movs. Reassembled on the FCP Timeline, final render you see here.