Grace for Drowning’ is the second album released under Wilson’s own name, and builds on the artistic inroads he forged with 2009’s exceptionally well-received ‘Insurgentes.’ A double album ('two 40-45 minute albums in the same package') Wilson has described it as "my biggest project to date". The Blu-ray edition features music in 5.1 surround sound, 2 bonus tracks, 5 films, 6 demo versions, a gallery and a 16 page book of artwork and notes. He continues, “’Insurgentes’ was an important step for me into something new. This record takes that as a starting point, but it’s more experimental and more eclectic. For me the golden period for music was the late sixties and early seventies, when the album became the primary means of artistic expression, when musicians liberated themselves from the 3 minute pop song format, and started to draw on jazz and classical music especially, combining it with the spirit of psychedelia to create “journeys in sound” I guess you could call them. So without

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Steven Wilson

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Steven has become known for the high standard of his production and is a sought-after mixer and producer. Artists he has worked with in this capacity include the Norwegian artist Anja Garbarek, Yoko Ono, and Swedish progressive-metal band Opeth for whom he produced three albums. More recently Wilson has become known for his 5.1 Surround Sound mixes – the 2007 Porcupine Tree album Fear of a Blank Planet was nominated for a


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Steven has become known for the high standard of his production and is a sought-after mixer and producer. Artists he has worked with in this capacity include the Norwegian artist Anja Garbarek, Yoko Ono, and Swedish progressive-metal band Opeth for whom he produced three albums. More recently Wilson has become known for his 5.1 Surround Sound mixes – the 2007 Porcupine Tree album Fear of a Blank Planet was nominated for a Grammy in the ‘Best Mix For Surround Sound’ category. The album was also voted #3 album of the year by Sound And Vision, which recently named Fear of a Blank Planet the second best 5.1 recording of all time. Steven is now working on several other surround sound projects, including remixing the King Crimson back catalogue. Other projects include Blackfield, a collaboration with Israeli megastar Aviv Geffen which has now produced two acclaimed albums, and Steven’s drone / ambient / experimental outlet Bass Communion.

In 2003 Wilson quietly started to release music under his own name for the first time, in the form of a series of two track CD singles on his own label Headphone Dust, each one featuring a cover version and an original SW song. The choice and treatment of the cover versions was unpredictable, with the first five featuring songs by Alanis Morissette, Abba, The Cure, Momus, and Prince. Stylistically these cover versions allowed Wilson to expand his musical pallete into everything from electronica, noise music, and stripped down acoustic balladry. This led to his decision to record his first solo album of original music.

Between January and August of 2008, Steven began recording material that would comprise this album which is titled Insurgentes. Comprising 10 new tracks that range from ballads and anthems to all-out industrial noise assaults, the dark, cinematic, and richly textured disc represents two years’ worth of creative output and numerous recording sessions worldwide in studios from Mexico City to Japan to Israel. The whole process was visually documented by film-maker Lasse Hoile, and the work in progress Insurgentes film features footage of the recording sessions, surreal sequences, and interviews with Wilson and many other musicians about what it means to be a musician in the age of iPods and download culture.

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