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BLACK SCALE: Black Box Project

by WEREHAUS

"…that's the black box: It's energy. It contains everything. It's good, it's bad, it's the balance. It's what everybody wants." -Alfred Welcome to the Black Scale Black Box Project. Black Scale: http://black-scale.com | @blackscale Music By: "Goodbye" | http://apparat.net -- © 2010-11 WEREHAUS: http://WEREHAUS.TV | http://THEWEREHAUS.COM Keep up with us: http://facebook.com/​WEREHAUS | http://twitter.com/​WEREHAUS

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Rapha Continental – The Movie

by RAPHA

http://www.rapha.cc/rapha-continental Rapha is proud to present the Rapha Continental Movie. An account of the project's 2010 travels through North America.

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Made by Hand / No 2 The Knife Maker

by Made by Hand

A project from http://bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. In our second film, we meet writer turned knife maker Joel Bukiewicz of Cut Brooklyn. He talks about the human element of craft, and the potential for a skill to mature into an art. And in sharing his story, he alights on the real meaning of handmade—a movement whose riches are measured in people, not cash. director-producer KEEF director of photography JOSHUA KRASZEWSKI editor MATT SHAPIRO music MICHAEL TRAINOR & NATHAN ROSENBERG music produced at THE DOG HOUSE NYC sound recordist ROBERT ALBRECHT re-recording mixer NICHOLAS MONTGOMERY assistant re-recording mixer JOHN GUMAER gaffer ADAM ORELLANA title design MANDY BROWN special thanks JOEL BUKIEWICZ & CUT BROOKLYN http://thisismadebyhand.com http://cutbrooklyn.com

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the tilt-shift superbowl | from The Season presented by SAP

by stillmotion

last year we got the opportunity to shoot a tv series called The Season presented by SAP for the NFL Network. the series followed human interest stories related to the game such as Brett Favre's last game in Lambeau field. the finale of the show, for last year, was the superbowl. our approach was to cover this with tilt-shifts and we did that for a couple reasons; to make the players look small. at the end of the year it all comes down to these 60 minutes and all of the records, stats, and trophies go out the window. it is also such a huge stage being the most viewed single day sporting event in the world, and that is such a large audience for so few people. we also wanted to use tilt-shifts to simulate vision on the field and needing to see selectively to be a fraction of a second faster. we worked with the NFL Network on the script (which ties into when we go into, and out of the tilt-shift lenses). we shot, colored, and edited this piece those most other episodes of The Season were…